Opening Performance & Dialogue: Chant
dc.book.title | Proceedings of the Arts Research Africa Conference 2020 | en_ZA |
dc.citation.doi | https://doi.org/10.17605/OSF.IO/T24YH | en_ZA |
dc.contributor.author | Mahlangu, Nhlanhla | |
dc.contributor.author | Taylor, Jane | |
dc.date.accessioned | 2020-07-08T10:43:37Z | |
dc.date.available | 2020-07-08T10:43:37Z | |
dc.date.issued | 2020-07 | |
dc.description | Chant is an astonishing piece, combining a potent engagement with Ritual as Theatre/Theatre as Ritual, and is a work through which Mahlangu explores his multi-dimensional and cross-generational relations as a source of performance energy. It thus has some elements that draw on a psychological and resolutely archaic mode of staging. Yet, the work also explores a form of hyper-modernity, with a vacuum-cleaner as a signifier for his grandmother, who raised him. | en_ZA |
dc.description.abstract | Chant is an astonishing piece, combining a potent engagement with Ritual as Theatre/Theatre as Ritual, and is a work through which Mahlangu explores his multi-dimensional and cross-generational relations as a source of performance energy. It thus has some elements that draw on a psychological and resolutely archaic mode of staging. Yet, the work also explores a form of hyper-modernity, with a vacuum-cleaner as a signifier for his grandmother, who raised him. | en_ZA |
dc.description.librarian | Christo Doherty 2020 | en_ZA |
dc.faculty | Humanities | en_ZA |
dc.funder | The Andrew W. Mellon Foundation | en_ZA |
dc.identifier.citation | Chant is an astonishing piece, combining a potent engagement with Ritual as Theatre/Theatre as Ritual, and is a work through which Mahlangu explores his multi-dimensional and cross-generational relations as a source of performance energy. It thus has some elements that draw on a psychological and resolutely archaic mode of staging. Yet, the work also explores a form of hyper-modernity, with a vacuum-cleaner as a signifier for his grandmother, who raised him. | en_ZA |
dc.identifier.uri | https://hdl.handle.net/10539/29218 | |
dc.language.iso | en | en_ZA |
dc.publisher | Arts Research Africa, The Wits School of Arts, University of the Witwatersrand | en_ZA |
dc.rights | Licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellists | en_ZA |
dc.school | The Wits School of Arts | en_ZA |
dc.subject | artistic research, arts research, decolonisation, arts pedagogy, | en_ZA |
dc.title | Opening Performance & Dialogue: Chant | en_ZA |
dc.type | Article | en_ZA |
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