In-conclusion: resisting resolution in recent paintings by Penny Siopis

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dc.contributor.authorKoch, Renee Lesley
dc.date.accessioned2012-08-03T07:30:30Z
dc.date.available2012-08-03T07:30:30Z
dc.date.issued2012-08-03
dc.descriptionM.A. University of the Witwatersrand, Faculty of Humanities (Fine Art), 2012en_ZA
dc.description.abstractThis research report focuses on two parts of perception, namely the gathering of visual data (looking) and the interpretation of such data (seeing). I examine the way that materiality, in recent paintings by Penny Siopis, functions to resist the insistent narrative image, by producing ambiguity, indeterminacy or imprecision. In my practical research I explore ways to fore-ground looking, to resist seeing the representational image and to create a state of perceptual tension, which engages the viewer in re-looking.en_ZA
dc.identifier.urihttp://hdl.handle.net/10539/11731
dc.language.isoenen_ZA
dc.titleIn-conclusion: resisting resolution in recent paintings by Penny Siopisen_ZA
dc.typeThesisen_ZA
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