School of Education

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Author: search.filters.author.Janks, HilarySubject: search.filters.subject.Critical literacy

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    Critical literacy: Beyond reason.
    (2002) Janks, Hilary
    In this paper, I argue that critical literacy is essentially a rationalist activity that does not sufficiently address the non-rational investments that readers bring with them to texts and tasks. I begin by looking at playful advertising texts that work with humans and the transgressive in order to consider the role of pleasure rather than reason. Then I examine the force of powerful identifications in relation to reason to show that educational inventions cannot ignore them. Finally, I tentatively suggest that we may need to find ways to combine socio-cultural and psycho-analytic theory in order to imagine new directions for pedagogy in the critical literacy classroom.
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    The importance of critical literacy
    (2012) Janks, Hilary
    This paper is divided into three parts. It begins by making an argument for the on going importance of critical literacy at a moment when there are mutterings about its being passé. The second part of the paper formulates the argument with the use of illustrative texts. It concludes with examples of critical literacy activities that I argue, are still necessary in classrooms around the world.
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    District Nine and constructions of other: Implications for heterogeneous classrooms.
    (2011) Janks, Hilary; Adegoke, Roseline
    Culturally responsive research and pedagogy are a challenge in classrooms that are increasingly heterogeneous. I start from the premise that culture is dynamic not static, that difference is a resource for new ways of doing, thinking and believing, that identity is hybrid. The challenge for teachers is how to harness the productive potential of diverse classrooms for pedagogy. John Thompson (1990) argues that discourses of “unification” which construct an “us”, and discourses of “fragmentation” which construct a “them”, produce and maintain relations of power. Us/them discourse will be explored in the South African context in relation to both apartheid’s racial othering and post-apartheid’s xenophobic othering. The South African film, District Nine, which can be interpreted as both forms of othering, is presented as a case for considering these ideas.