3. Electronic Theses and Dissertations (ETDs) - All submissions

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    How can applied theatre be implemented to address male adolescents' perceptions of their female counterparts? A case study of adolescent boys at Izenzo Kungemazwi Community College
    (2014-01-28) Molefe, Butana P.
    Gender based sexual violence against women has become epidemic in South Africa. This study attempts to explore the pedagogical approach of Applied Drama as a qualitative behavioural change programme for adolescent black males. This Practice-based Research Report investigates the efficacy of Applied Drama as a tool to address male adolescent perceptions toward their female counterparts, with particular reference to the case study of Izenzo Community College, Hillbrow, South Africa. The research consisted of a Participation Action Research exploration in three phases over a year, culminating in a Practice-based examination and followed by this written research report. The study argues that Applied Drama is a powerful tool to encourage dialogue amongst adolescent males about complex subject-matter. Chapter One introduces the reader to Izenzo, the framework of the study, and the narrative of the researcher/facilitator. Chapter Two interrogates masculinities in contemporary South Africa. Chapter Three introduces the research problem and methodology, and Chapter Four discusses the two initial phases of research. This highlights the trajectory of research that resulted in the final phase of research that is explored in detail in Chapter Five. Chapter Six analyses the nature of Applied Drama in relation to masculinities. This study affirms the role of Applied Drama as a meaningful approach to tackling the rising crisis of gender based sexual violence in South Africa. It emphasises the central role of the facilitator as the implementer of Applied Drama as a facilitation process that enhances dialogue for change.
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    Perceptions of health care workers regarding the participation of men in HIV programmes
    (2008-11-11T11:56:48Z) Dhlamini, Zandile Faith
    This study explores the perceptions of health care workers regarding men’s participation in HIV programmes with the objective of identifying factors that may facilitate or hinder the participation of men in such programmes. A sub aim was to explore how perceptions regarding the effects of different constructions of masculinity may be implicated in the ways men respond to HIV programmes. The study was conducted with permission from HIV/AIDS clinics: Thembalethu clinic in the Helen Joseph Hospital, Tshwarisanang couples’ VCT clinic at Chris Hani Baragwanath hospital and two Johannesburg University campus clinics. Data was collected using a purposive sample of 8 health care workers. Each participant took part in one-on-one semi-structured interviews, which yielded the results of this study. The data was analysed using thematic content analysis. The results showed that a majority of the health care workers perceived men to be nonparticipatory in HIV programmes. They perceived barriers to men’s participation to be men’s varied perception of fear knowing their HIV status, fear of dying and fear of the emotional consequences of testing positive such as anger and depression. Men also see counselling as a sign of weakness and as a result, they do not participate in HIV programmes. In conclusion, health care workers identified the need to develop new strategies and best suited programmes that promote HIV testing amongst men.
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    Living dangerously
    (2007-02-19T13:20:31Z) McGregor, Elizabeth Ann
    Title: LIVING DANGEROUSLY Subtitle: HIV/Aids, masculinity and the post-apartheid generation: A case study AIM: to investigate via the story of one young South African man the complexity of dealing with HIV/Aids in South Africa. RATIONALE: With the ending of apartheid and the rise of HIV/Aids, there has been a clear crisis of masculinity in the wake of social change. Government response to the epidemic has been ambiguous. Fana Khaba, aka Yfm DJ Khabzela, was the first young black celebrity to publicly declare he had Aids. I plan to follow his story and to look at HIV/Aids campaigns and to examine why they are not working. METHODOLOGY: Through a literature review, an examination of statistics and public health messaging on HIV/Aids and my investigation into the life of Fana Khaba, I will show the complexities currently not being considered in the compilation of public health messaging. The reason I chose to follow the story of Fana Khaba is because I am a South African deeply concerned about HIV/Aids. I found his life compelling because it encapsulated so much of the rapid and intense culture shift that followed the arrival of democracy in 1994. And because his life echoed that of a pivotal generation in the apartheid struggle: the generation who grew up in Soweto in the seventies and eighties and came to adulthood with democracy. The so-called “lost generation” who later became known as the “Y generation”, they are deeply affected by the pandemic. I intend to show that Fana Khaba was a hugely popular iconic figure for the generation because he spoke to their aspirations and their anxieties. I will argue that because his life experience resonated so strongly with this generation, it is reasonable to draw more general lessons from it. The chief executive officer of Yfm was a friend of mine and, through him, I am able to gain access to Khabzela, his family, friends and colleagues at Yfm. This is an exceptional opportunity to gain an inside view of a life not readily available to relative outsiders such as myself. Clearly there is an ethical issue here. I will at all times keep my interviewees informed about the purpose of my research. I hope to help shed light on this anguished, important and under-debated sphere of life in South Africa.. The format I choose is part investigative journalism, part biography. The reason for this is that I have worked as a journalist for 25 years so all my skills and training point me in that direction. I wanted to make it accessible in order to reach as many people as possible. The narrative-biographical form is conducive to this because it is easy to engage with. In order to give the narrative tension and focus, I shall repeatedly employ the central question of why Fana Khaba refused to take the anti-retrovirals which might have saved his life.
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