3. Electronic Theses and Dissertations (ETDs) - All submissions
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Item An investigation into nationalism and national allegory within South African post-apartheid film(2009-01-21T11:48:47Z) Oberholzer, Christoffel JohannesAbstract The aim of this research paper is to investigate the allegorical and national qualities present within South African post-apartheid cinema. Through the production of a satirical short film, an analysis of key texts by Frederic Jameson and Aijaz Ahmad, as well as a comparative breakdown of French and Australian national cinema, these topics will be explored and unpacked. The South African film environment establishes itself as one dominated by internationally produced films and one that utilises indigenous cultural aspects in order to compete against this dominance. This study identifies the specific techniques employed by South African filmmakers and highlights the successes and pitfalls of doing so. By examining the film careers of Darrell Roodt and producer Anant Singh, this paper identifies South African cinema as one with a focus on international goals, aspirations and audiences, while it neglects its own local audience and development. This research then proposes ways in which to resolve this problem by drawing on examples from other national cinemas.Item Inclusivity and the construction of memory in Mia Couto's 'Under the Frangipani'(2007-03-15T12:36:37Z) Ngoveni, LawrenceThis research report examines Mia Couto’s novel Under the Frangipani as an intervention into the problematic of memory in post-war Mozambique. It attempts to locate Couto’s narratives among contemporary writing in Africa. It argues that Couto’s narratives combine allegory and magic realism in their endeavor to highlight the complexity of the Mozambican past and the need to include a diversity of voices from different sources. It focuses primarily on the novel’s inclusive narrative approach which manifests through the coexistence of putative worlds. In doing so, I explore the tension between the ontological assumptions of officialdom and those of the weak.