3. Electronic Theses and Dissertations (ETDs) - All submissions
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Item The Zulu mask: the role of creative imagination in documentary film : an investigation into how subjective creative imagination was applied to strategically enhance the "Mimicry of the Real" in the documentary film, the Zulu Mask(2013-03-20) Derrick, Clifford R.O.Scholarly discourses on documentary film have focused on the debate between documentary’s claims of ‘objectivity’ and ‘truthfulness’ versus the reality of its subjective ontology. At the turn of the 21st century, there seems to be appreciation of the constructiveness of documentary film. This development is taking place at the backdrop of emergence of more subjective documentary films produced by a new crop of filmmakers who do not shy away from exposing their subjective production thoughts and processes, contrary to earlier documentary filmmakers. This renewed interest is interesting and points to something that calls for an investigation in order to understand fundamental reasons behind it. In this report, I investigate the relationship between this development and the concept of ‘Creative Imagination’ normally associated with fiction film. Particularly, the paper investigates why ‘Creative Imagination’ may be understood to deploy aspects of realism style which manipulates time, space, character, and characterisation, in the production and analysis of documentary films. Through a production of a documentary film The Zulu Mask, this report hypothesises that documentary just like fiction film utilises the logic of creative imagination of the mind and aspects of realism style’ to mimic the real. Documentary and fiction, I argue are thus the products of the same thought process and desire.Item Waking the White Goddess: a novel(2010-08-25) Nudelman, JillAbstract (Jill Nudelman) This dissertation presents a novel that charts the progress of the white protagonist, Rose, whose mysterious origins have rendered her disconnected and alienated. In addition, moulded by her sheltered and privileged lifestyle she experiences guilt faced with the suffering and poverty that she encounters in post-apartheid South Africa, but lacks the strength to act. The novel opens with Rose, now 30, bereft and alone. When she discovers a box of mysterious objects which hint at her origins, she is lead to Oberon, a fictional village in the southern uKhahlamba-Drakensberg. Here, Rose’s search becomes more than a search for her biological parents as she experiences events that lead her to an identity beyond whiteness and help her to find rootedness in African soil. A reflexive essay follows. The essay is a personal reflection of the writing process, and includes the inspiration and development of the story line, problems encountered around the narrative voice and the contribution of the Masters programme workshops to the project. It also explores and expounds on the theoretical underpinnings of the novel, such as white identity in post-apartheid South Africa, the use of Western mythologies in an African context, and a discussion of San culture, including concerns around its inclusion in the text. The use of the heavily-loaded signifier, “White Goddess” as in the title, is also touched upon.