3. Electronic Theses and Dissertations (ETDs) - All submissions
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Item Abandoned pages _ Unsettled space: an urban dialogue created through literary practice in contemporary Doornfontein(2015-05-26) Kaskar, AminaArchitecture is the appreciation for story-telling; fiction and literature, history, culture and conversation. It entails the unfolding of a plot, unfamiliar places and eccentric characters. These do not merely exist on dusty old pages in books but are an integral part of our imagination - our subconscious design. This report explores the role of the architect as the reader; and so, this thesis forms what I have ‘read’ this year. This thesis aims to interpret literature as a design methodology in order to understand site and develop a suitable architectural language. The process of oral traditions, written text and digitalised technology are used to deconstruct systems and principles that document change in architecture and the city. This project, The Doorn Paperback Project is located in a contested area set within the in-between yard spaces of New Doornfontein. The unsightly nature of the site gives rise to ephemeral slumming. The cracks that exist within the formal urban fabric are atypically inhabited by the marginalised. These hidden narratives of the people living on the site create new meaning to these abandoned and derelict spaces. The way in which people ‘hack’ the site and use it in ways opposed to what was originally intended forms the reality for which the architecture exists. The architecture needs to ‘tear down’ and ‘dismantle’ formal conditions on the site in order to mediate a space in which ‘life’ can be reinvigorated into the space. Thus the introduction of a literary program responds well to the educational and industrial conditions on the site.Item Reframing Urban Design to sequence developing world cities: designing for patterns in Yeoville/Bellevue, Johannesburg(2015-05-12) Abed, Abdul AzizCurrent understandings of Urban Design point towards the fact that it is the art and science of city making. Like other aspects of Architecture, it begins with a site analysis, followed by the formulation of a vision for the built environment and thereafter a process of transforming the vision into reality (Carmona et.al, 2003). Thus, Urban Design is perceived as a discipline that gives rise to the form and defi nition of the full spectrum of forces including social, economic, cultural, ecological, political and aesthetic dynamics (Dixon, 2005). The role of the Urban Designer can therefore be understood as central to a number of other stakeholders such as Traffi c Engineers dealing with vehicular movement, Civil Engineers concerned with structural design, Architects designing built form, Landscape Architects designing open space, Urban Planners formulating policy and the Property Developers involved in aspects of land investment. However, as urban populations grow, become more diverse and fragmented, the function of Urban Design and the role of the Urban Designer becomes questionable (Madanipour, 1996). The past tradition of thought in Urban Design (visual artistic approach) incorporated a fi rm belief in the physical aspects of city making relying on built form as a primary informant. This tradition has, however, been replaced by a more recent tradition (social usage approach) which incorporates a fi rm belief in interpreting phenomena occurring in public space. This served as a response married to the phenomenon of increased population density and rapid urbanisation persistent in the developing city context due to global migration patterns (Watson, 2009). Consequently, in its plight to reframe Urban Design to sequence developing cities, this thesis conducts a comparative analysis between developed and developing world cities regarding national migratory, population density and urbanisation trends and the effects that it poses on regions, cities and localities. In so doing, it progresses to a realisation that increased living densities in turn spills over into the public realm and onto the street edge for retail and social service access purposes. Thus, a greater mix of uses in the built environment is forged. The increased density of people on sidewalks in essence stimulates transport movement as a collector service which structures street connectivity systems around retail facilities and social services. From the analytical fi ndings here, this thesis recognises that there exist relationships between built form confi guration and socio-economic activities occurring in public space. In light of the above, the thesis employs the combination of the visual artistic and social usage approaches to form the making places approach, which can be appropriate for Urban Design in developing cities. After establishing a new approach, the thesis structures the above-mentioned operations into an evolved conceptual framework. Thus, the conceptual framework recognises that time change in developing cities in conjunction with population density and migration cause overlapping relationships between building density, housing and social services, retailing, land use mixes, transport/movement and street connectivity across various scales and within the formal, semi-formal/semiinformal and informal realms. With this being the case, the thesis analyses current literature which argues that the broader problem is the fact that the interrelatedness of the above-mentioned concepts is negated in theory. It develops the problem statement further by stating that a lack of the interrelatedness of the concepts contained in the conceptual framework has in turn infl uenced a lack of such in current research and urban design practice in developing cities. This is confi rmed through measuring the extent to which three South African Urban Design practice case studies consider concepts of building density, housing and social services, retailing, land use mixes, transport/movement and street connectivity across various scales and acknowledging the lack thereof. As a means of responding to the problem identifi ed above, a set of research techniques is investigated using a Yeoville/Bellevue, Johannesburg site-specifi c case with the aim of assisting designers to better apply the evolved conceptual framework. Simultaneously, the thesis uses Yeoville/Bellevue as a focus area to illustrate the manner in which building density, housing and social services, retailing, land use mixes, transport/movement and street connectivity can be considered across various scales. This essentially progresses into the creation of an Urban Design Framework for Yeoville/Bellevue that strengthens the linkages between housing and social services, retailing and transport/movement through using principles of street connectivity, land use mix and building density creation. An implementation strategy for the Design Framework is then established. Through the execution of the above process the collective consideration of building density, housing and social services, retailing, land use mixes, transport/movement and street connectivity across various scales serves as the basis for reframing Urban Design to suit developing cities.Item Filmscape: socially integrating film production within the Johannesburg city context(2015-05-12) Jardine, BrandonCinema has been considered the primary art form of the 20th Century. However, due the falling number of cinema goers the art form is under threat of losing its significance in modern day society. The decline in cinema goers has led to the decreased profitability of the independent film industry. This has led to the reduction of the complex narrative in films and an increased focus on special effects. As a result films, and the way in which they are perceived, are losing their artistic integrity as an art form. Through the formation of a cinematic architecture a more spatialized experience can be projected upon the audience. This creates a space of pure experience and hedonistic escape for the cinema goer. It can then be said that through architecture, the reinvention of the cinema typology and an increased approachability within the independent film industry, an experience can be created that could not be replicated in one’s home. The rise of the home theatre and internet based media has come to justify the need for the cinema to act as a social space. The non‐exclusivity that was once a strong driver of the 1930’s ‘Golden Age’ of cinema has become increasingly fictional in the present day context. The decline in cinema goers stems far beyond cinema and lies in the relevance of film to the common man. This thesis aims to break down the barriers that surround the film and cinematic universe and allow it to flood the surrounding city context embedding itself in the local culture. The physical design should programmatically encompass elements of pre‐production and postproduction with Johannesburg acting as the physical film set for production. The average man should have the ability to enter this building, gain the skills and knowledge to develop a film, rent the relevant equipment, edit the film and use the building as a platform to showcase work and earn an income. This ultimately transforms the building and its urban framework into a cultural knowledge database where depictions of local culture and time can be archived for future generations. Flexible professional workspace and the timesharing of highly specialised equipment allows for the rapid expansion and contraction common to the highly volatile industry. Park Station as a site choice acts as a cultural interchange. This provides vast interconnectivity that is needed to host large scale events such as the Jozi Film Festival and the South African Film and Television Awards (SAFTAs). A study of the history of cinema and its impact throughout has inspired and informed this work. The temporal progression of cinematic style has resulted in the loss of both luxury and ‘The Spectacle’ of cinema. This being said, this progression has improved the availability, variety and increased the immersion of the audience within the film. Cinema architecture, through a more inclusive approach, can be reinvented to once again act as the primary platform of display for the independent film industry. Film will thus start to form an integral part of the surrounding streetscape and pedestrians’ daily lives. The building design will cater for the escapist and the socially integrated; the in‐between and the excluded.