Theses and Dissertations (Arts)
Permanent URI for this collectionhttp://hdl.handle.net/10539/35925
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Item "A Munich situation": pragmatic cooperation and the Johannesburg Non-European Affairs Department during the early stages of apartheid(2012-08-30) Ball, JamesThis dissertation aims to reveal and explain how the evolving relationship between the Johannesburg City Council and the Native Affairs Department affected urban African administration during the early stages of Apartheid. It will add detail to a selection of key disputes between the levels of Government in the mid 1950s and examine the Department’s onslaught against the Council towards the end of the decade. It will trace the emergence of a culture of pragmatic cooperation during the early 1960s and analyse internal divisions within the United Party group in Council. It will finish by tracing the emergence of the Administration Board system and suggesting that the period of pragmatic cooperation played a role in delaying the ultimate decision to remove urban African administration from local authorities. Throughout this dissertation the influence of key personalities like W.J.P Carr, Manager of the Johannesburg Non-European Affairs Department and Patrick Lewis, the Chairman of the Non-European Affairs Committee, will be explored.Item South African digital art practice: an exploration of the altermodern(2012-08-08) Whitaker, CarlyThe Altermodern is a critical artistic theory defined by Nicolas Bourriaud, a French theorist and curator. His theory seeks to define a specific way of living and inhabiting in our current globalised state. Bourriaud observes and discusses how artists practise and align this with a global dynamic and via a mobility which he observes through specific concepts. This research report investigates whether this theory of the Altermodern aligns with South African digital artists and their practice and whether this theory can be used as a framework for the South African digital art being produced at present and in the future. Although currently limited, the South African digital art field is developing and a framework is necessary for artists to move forward within the surrounding discourse. This report discusses the various characteristics and nature of the digital medium, such as its interactivity and dynamism, which are then aligned to the Altermodern. This alignment is carried forward into a discussion of digital art in South Africa which is defined and aligned with the Altermodern. The field of South African digital art is expanded to include specific case studies. Interviews conducted with Nathaniel Stern and Marcus Neustetter, practising digital artists, are reported and their respective artworks, Given Time and relation IV, are reviewed, while Tegan Bristow, who curated the show Internet Art in the Global South (2009), discusses her role as a curator and researcher in the field. This report aims to make an initial contribution to the discourse on South African digital art through a critical engagement of the Altermodern and the specific case studies.