ETD Collection

Permanent URI for this collectionhttps://wiredspace.wits.ac.za/handle/10539/104


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    Grounded : Locative art and embodied digitality
    (2008-10-21T13:21:12Z) Said, Mitchell Andrew
    My research is comprised of two connected components – a written report, and an original artwork. In the written segment of the research, I critically assess arguments sourced from digital theorists writing mainly in the 1990s, who positioned “cyberspace” as means of bodily escape, physical transcendence and disconnection from lived reality. I link their writings to a larger notion of technological determinism. I use a combination of theoretical sources and case studies to argue that these determinist attitudes are being challenged by the emergence of a recent artistic practice (termed “locative art”), itself made possible through changes in the understanding of the integration of digital information into the material world. The second part of my research consists of an original locative work, entitled “Tree ID”. It is integrated into my written research in my third chapter, in which I discuss the technical function and conceptual background of the work. “Tree ID” functions alongside my case studies as an artistic response to technological determinism, and, additionally, as a practical investigation into the South African context of locative art.
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    The functions of public art in post-apartheid South Africa
    (2007-03-01T11:33:19Z) Pretorius, Annette Sophia
    The aim of this research report is to explore the extent to which public art in postapartheid, democratic South Africa may contribute both to urban regeneration and nation building as well as the extent to which contemporary African monumental public art could reflect African heritage and traditions (Nettleton 2003:3). Another issue that is explored is the role of patronage in determining the function of public art in post-apartheid South Africa. Case studies in the form of two examples of post-apartheid public, namely the Freedom Park and the Constitution Hill projects art are used to explore the functions of public art in South Africa. In summary this research report therefore analyses: • The nature and function of public art-historical issues; • The practical issues affecting the production of public art in post-apartheid South Africa; • The socio-political factors that mitigate for or against the ability of public art to function effectively in the post-apartheid South African context; and • How these functions feed into the broader issues of making a contribution in a demographically complex, post-apartheid South Africa.