ETD Collection

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Subject: search.filters.subject.Narrative therapy--South Africa

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    Enrich the narrative, empower the leader: the role of narradrama in enriching the narratives of women in corporate leadership
    (2017) Pather, Vasintha
    This research aimed to explore problem-saturated narratives about self-efficacy in leadership amongst a group of women leaders from corporate organisations in Johannesburg, and the effectiveness of narradrama (Dunne, 2009) a drama therapy method, in enriching these narratives. Analysis points to the pervasiveness of gendered notions of men and women in society and how this plays out in the contexts of corporate organisations. The rationale for this study was that if corporate leadership is an historically socio-culturally male-dominated and gender-stereotyped domain from which women have been excluded, and in which traits stereotypically associated with women were undervalued, then dominant narratives embedded in this domain could be that women are not effective leaders, and that they do not belong. This could negatively affect perceived self-efficacy in leadership among women, and indirectly, efforts to address gender disparity in the context of corporate leadership. Sociocultural development theory (Vygotsky, 1978), and empowerment theory (Rappaport, 1987, Zimmerman, 2000), both of which assert the primacy of the sociocultural context in learning and development, theoretically informed the research. Thematic analysis was used to identify key themes. The research showed that problem-saturated narratives about leadership self-efficacy did exist and that narradrama proved effective in fostering enriched narrative possibilities amongst participants.
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    'Giving birth to my breath': an an exploration of self-revelatory performance in facilitating a process of confronting and transforming a negative self-concept of afrikaner identity = 'Ek gee geboorte aan my asem': die gebruik van self-onthullingsteater om die negatiewe self-begrip van afrikaneridentiteit te konfronteer en transformeer
    (2017) Meiring, Leané
    This multi-lingual autobiographical performance-as-research (PAR) project critically analyses self-revelatory performance as a drama therapy method that can be used to effectively mitigate the lingering effects of a negative self-concept of Afrikaner identity brought on by the collective trauma of our past in South Africa. The research enquires and demonstrates; in what ways the method of self-revelatory performance is effective in mitigating the effects of collective trauma both on intra-psychic and interpersonal levels through the lived experience of the researcher, training drama therapist and client-performer who underwent a process of devising, scripting, rehearsing, and performing a piece of autobiographical theatre in front of an invited audience. The methodology is firmly located within, and founded on the core principles of art-based research and more specifically, PAR; this choice of method of enquiry is as a result of the performative and embodied nature of the method of self-revelatory performance. The findings of the research are a collaborative process of practice (performance), self-reflexivity and theory working together to answer the research question. The research demonstrates the need for performative methods of drama therapy, such as self-revelatory performance, to be explored within our South African context. The research illuminated the need to adapt the methodology when working with collective trauma in our South African context and the need to clearly define the role of the audience, and the conditions of collective witnessing that determine psychological safety and containment, in the method of self-revelatory performance within our socio-cultural context.