ETD Collection

Permanent URI for this collectionhttps://wiredspace.wits.ac.za/handle/10539/104


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    From dynamism to dormancy: The jewellery industry in Johannesburg: 1925-2003
    (2008-05-20T07:45:23Z) Da Silva, Maria do Rosário Pinto Pereira
    This study investigates the jewellery industry in South Africa from about the 1920s when the industry operated as a cluster in Johannesburg, to the more contemporary period of 2003. The industrial cluster approach to industrialisation forms the theoretical background for discussing the evolution of the jewellery cluster in this period. Various factors or “turning points” influenced the course of the cluster’s development and ultimately culminated in the demise of the jewellery cluster in Johannesburg. The study pays specific attention to the role of government in first resisting and then promoting the growth of jewellery manufacturing in South Africa. In recent years the jewellery industry has been the focus of both government and private sector initiatives to enhance its competitiveness globally. The result of these initiatives is discussed in the context of the internal and external constraints that affected the industry in the past and continue to play a role in the present.
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    Chance encounters: The construction of meaning through the process of assemblage in the boxes of Joseph Cornell and contemporary jewellery of Thomas Mann
    (2006-10-31T11:28:53Z) Fenn, Julia Geraldine
    This thesis is a study of the box constructions of New York artist Joseph Cornell from the early 1930s to the late 1960s, and the influence of his work on that of contemporary American jeweller Thomas Mann, as well as my own artistic production. The key areas of focus are the process of assemblage and the implications of the box format, with the following themes being explored: miniature space and time; preciousness; fetishism and voyeurism. These are followed through into the section on my own work, where the additional subjects of the history of collecting, automata and the stop-frame animation of filmmaker Jan Švankmajer are discussed. The conclusion that I reach is about the potential power residing in found objects, which form the basis of Cornell’s, Mann’s and my own work.