School of Arts (Journal Articles)

Permanent URI for this collectionhttps://hdl.handle.net/10539/37882

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Start date: 2020End date: 2021

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    Digestible memories in South Africa’s recent past: processing the Slave Lodge Museum and the memorial to the enslaved
    (Taylor and Francis Group, 2021-07) Cloete, Nicola
    Given the recent oppressive histories of apartheid and colonialism, the legacies of slavery in South Africa are often overlooked in thinking about aspects of post-apartheid democracy’s discursive formulation of race, nation, and reconciliation. This paper analyses how two examples in Cape Town – the permanent exhibition Representing Slavery at the Slave Lodge Museum and the Memorial to the Enslaved in Church Square – represent the historic event of slavery in South Africa. The paper argues that the museum exhibition and the memorial site are instances of memorialisation and simultaneously function as political processes that offer insight into discourses of race and reconciliation in South Africa during the early stages of democracy.
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    Science-women: Arcane knowledge and African spirituality in independent African-American cinema of the 1990s
    (African and Black Diaspora: An International Journal, 2020) Ebrahim, Haseenah
    This article explores the significant role played by arcane knowledge and expressions of African spirituality in the iconography of powerful black women in three films directed by independent African-American filmmakers in the 1990s: Sankofa (Haile Gerima, 1993, USA), Mother of the River (Zeinabu irene Davis, 1995, USA), and Eve’s Bayou (Kasi Lemmons, 1997, USA). My discussion draws on the orature and legendary tales of West African-based cosmologies in the African diasporas of the Americas and the concept (and practice) of ‘conjure’ in African–American cultures. It argues that heroic black women characters possessing extraordinary or supernatural powers not only predate the current vogue of cinematic superheroism, but that the iconography of such ‘science-women’ is embedded in culturally specific, Africanrooted cosmological, epistemological and spiritual contexts. I argue that the feminine power celebrated in the films by the independent African-American filmmakers discussed here draw on legendary and historical accounts of women in African diasporic oral, literary and spiritual traditions for their cinematic storytelling to construct an affirmative and paradigmatic model of black female heroism based on empowering African spiritual beliefs and arcane knowledge.