Artistic research in Africa with Specific Reference to South Africa and Zimbabwe: Formulating the Theory of Afroscenology

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dc.book.titleProceedings of the Arts Research Africa Conference 2020en_ZA
dc.citation.doihttps://doi.org/10.17605/OSF.IO/K8V5Ren_ZA
dc.contributor.authorRavengai, Samuel
dc.date.accessioned2020-07-08T13:42:10Z
dc.date.available2020-07-08T13:42:10Z
dc.date.issued2020-07
dc.descriptionHow can artistic research offer the opportunity to create knowledge based on African practice and produced from the African context? This presentation will delineate seven approaches to artistic research and argue for decolonial imperatives.en_ZA
dc.description.abstractHow can artistic research offer the opportunity to create knowledge based on African practice and produced from the African context? This presentation will delineate seven approaches to artistic research and argue for decolonial imperatives.en_ZA
dc.description.librarianChristo Doherty 2020en_ZA
dc.facultyHumanitiesen_ZA
dc.funderThe Andrew W. Mellon Foundationen_ZA
dc.identifier.citationHow can artistic research offer the opportunity to create knowledge based on African practice and produced from the African context? This presentation will delineate seven approaches to artistic research and argue for decolonial imperatives.en_ZA
dc.identifier.urihttps://hdl.handle.net/10539/29246
dc.language.isoenen_ZA
dc.publisherArts Research Africa, The Wits School of Arts, University of the Witwatersranden_ZA
dc.rightsLicensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. Copyright of texts: the authors, performers, and panellists Copyright of images: the authors, artists, performers, and panellistsen_ZA
dc.schoolThe Wits School of Artsen_ZA
dc.subjectartistic research, arts research, decolonisation, arts pedagogy,en_ZA
dc.titleArtistic research in Africa with Specific Reference to South Africa and Zimbabwe: Formulating the Theory of Afroscenologyen_ZA
dc.typeArticleen_ZA
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