Abstract:
Abstract
The first section of the thesis is a narrative non-fiction book-length work titled Ways
of Staying, which is to be published by Picador Africa in May 2009 and is a journey
through selected public and private concerns of contemporary South African life.
Written in the first-person, it seeks to give the reader an intimate view of some of the
more significant headlines of the past two years – the David Rattray murder, the ANC
Polokwane conference, the xenophobic attacks, to name just a few – and to
intersperse these with personal accounts of the fallout from violent crime (the author’s
cousin Richard Bloom was murdered in a high-profile attack in 2006). The objective
of the book is to present in a non-solution orientated (or heuristic) manner the various
textures and paradoxes of a complicated country.
The second section of the thesis is a reflexive essay on the above, where Ways of
Staying is located within a range of thematic and symbolic influences, specifically:
the work of novelist VS Naipaul vis-à-vis the parallel and incongruous dislocation of
self and other in the post-colony; the work of Alan Paton, JM Coetzee and Rian
Malan vis-à-vis the theme of ‘fear’ as a dominant force in white South African
writing; and the non-fiction work of Antjie Krog vis-à-vis race and identity in a postapartheid
context.
My conclusion, if it can indeed be said that I have one, is that the ‘unease’ of the
modern white South African (or at least a large enough number of us for the
generalisation to be made) is an inevitable and necessary consequence of history, and
so is perhaps better publicly acknowledged than willfully ignored.
