Ambala, Anthony T2006-10-262006-10-262006-10-26http://hdl.handle.net/10539/14750400169A Tonyterah@yahoo.com Faculty of Humanities Master of Arts 2005 Dr Ebrahim. H haseenahe@artworks.wits.ac.zaThis study analyses the role of the media generally, and the documentary mode specifically, in the construction of national identity. It focuses on the Project 10 documentary series in South Africa. Chapter one, lays the foundation for the study by discussing the concepts, theories and debates on the notion of ‘the nation’, ‘national identity’, ‘nation building’ and the documentary mode. Chapter two argues that nations are in a constant state of (re)birth, (re)definition and (re)invention and interrogates how the documentary mode attempts to sustain what Benedict Anderson (1991) calls a sense of ‘imagined community’. Chapter three focuses on the role and position of an individual citizen vis-à-vis ‘nation’ and ‘nation building’, and how the documentaries in the Project 10 series explore this concern. Chapter four examines the effects and manifestations of previous leadership regimes in the present-day South Africa and how this affects the process of building contemporary South Africa.67449 bytes84554 bytes110673 bytes123452 bytes112482 bytes152468 bytes176707 bytes218858 bytes216332 bytes68366 bytes59286 bytesapplication/pdfapplication/pdfapplication/pdfapplication/pdfapplication/pdfapplication/pdfapplication/pdfapplication/pdfapplication/pdfapplication/pdfapplication/pdfendocumentarynational identityproject 10 documentary seriesSouth AfricaThesis