Gendered Labour in The Clothing and Textile Industry in Johannesburg How do women employed in garment factories experience the gendered nexus of paid and unpaid labour in their daily lives? Rozeena Das Supervisor: Prof Bridget Kenny A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts (Labour and Economic Sociology) 2 Declaration I declare this research report is my own work. It is submitted in partial fulfilment for the degree of Master of Arts in Sociology at the University of the Witwatersrand, Johannesburg. It has not been submitted before for any other degree or examination at any other university. X Rozeena Das 3 Abstract Women garment workers experience gendered labour both in paid garment labour and in unpaid social reproductive labour. This research explores how women employed in garment factories in Johannesburg experience the nexus of paid and unpaid labour in their daily lives. The report investigates the structure of the garment industry, the working conditions and gender relations in contemporary Johannesburg, the daily experience of women garment workers on the factory floor and in their homes, the impact of this on their emotional and physical well- being and lastly, how women make meaning of their and experiences of multiple roles of providers, migrants, garment workers and caregivers. Adopting a qualitative approach, this research incorporates evidence from literature, in-depth semi-structured interviews, and observations. This study argues that women’s experiences of both forms of paid and unpaid labour are not divided into separate spheres but are rather overlapping and interconnected. Thus, paid, and unpaid labour are experienced within a gendered nexus. 4 Acknowledgements A journey that has truly tested my strength and discipline. I could not have undertaken this journey without the guidance of my supervisor, Prof. Bridget Kenny. Thank you so much for your invaluable input and patience. In addition, I would like to express my deepest appreciation to the incredible garment workers who took time out of their lives to share their stories with me. I am also grateful to all the garment factory owners and managers who granted me access to the factories and workers- without this, this research would not have been possible. Lastly, to my family and friends, thank you so much for your constant support and encouragement throughout this journey. 5 Contents 1 . Introduction 6 1.1 Introduction 7 1.2 Problem Statement 9 1.3 Research Questions 10 2 . Literature Review 11 2.1 Johannesburg’s garment industry and gendered labour 12 2.2 Double burden of labour 17 3 Methodology 26 3.1 Methodology 27 3.2 Research Site 27 3.3 Data Collection and Sampling 29 3.4 Limitations 33 3.5 Ethical Considerations 34 4 . Working conditions and gendered labour of garment factories in Johannesburg 38 4.1 Contemporary garment factories located in Johannesburg 39 4.2 Gendered Labour of contemporary garment factories located in Johannesburg 47 5 . Experiences of women employed in the garment industry with multiple forms of labour 55 5.1 The daily experiences of paid and unpaid social reproductive labour by women employed in the garment industry. 56 5.2 The Interplay between paid and unpaid labour for women employed as garment factory workers. / “Basically, I live at work and sleep at home” 62 6 . How women employed in garment factories in Johannesburg make meaning and understand their roles. 70 6.1 How Women make meaning of their roles as Providers 71 6.2 How women make meaning as migrant labourers 73 6.3 How women make meaning of their roles in paid labour 81 6.4 How women make meaning of their roles in unpaid labour 83 7 . Conclusion 86 6 1 . Introduction 7 1.1 Introduction Traditional gender roles in society have cast men as the breadwinner, the family's main financial provider whereas women are cast as caregivers, usually, the housewife that partakes in unpaid social reproductive work such as cooking, cleaning, and caring for family members (Bear & Glick, 2017). However, today much has changed as most women’s lives are dominated by paid employment yet to some degree they are still ascribed to roles in unpaid social reproductive labour in the home (Mezzadri & Majumder, 2020). The increase of women in paid employment in the global south has been mostly associated with low-paid work, poor working conditions, unskilled labour, and precarious labour - in the case of South Africa this has been no different. In the South African context, women are 'pushed' into the labour market out of the financial and social need, rather than ‘pulled’ into the labour market out of demand for ‘women’s work’ (Casale, 2004). Women’s labour in South Africa is often precarious in nature which is characterised by labour markets that reproduce gender-based inequalities in income, work-related benefits, and social security (Malibo, 2018). This research brings together both these forms of gendered labour - unpaid social reproductive labour and paid garment labour. This research intended to explore women’s experiences in two forms of gendered labour, by exploring what the working conditions are of women employed in South African clothing factories and exploring women’s home life and the unpaid gendered social reproduction that they partake in. The overall aim of this research was to determine how the interconnected burdens of wage labour and unpaid social reproductive labour affect the overall experiences of labour and the and physical and mental well-being of the women worker through addressing the main question of this research; How do women employed in garment factories experience the nexus of paid and unpaid labour in their daily lives? The clothing industry served as the chosen site for this research as the industry is known to be dominated by women workers and characterized by gendered labour practices (Collins, 2009). According to Mosoetsa (2005), a high concentration of women has been documented in the footwear, clothing, and textile industry in South Africa. Hence these have been viewed as ‘women industries’. These industries are synonymous with the exploitation of women, characterised by low wages and poor working conditions (Mosoetsa, 2005). In addition, the city of Johannesburg is known to have a fashion district, comprising various garment factories 8 (Rogerson, 2006; Joynt & Webster, 2011). Moreover, the city of Johannesburg attracts workers from all over South Africa and other African countries. Thus, women garment workers in the city of Johannesburg serve as a relevant site to explore how the nexus of gendered paid factory labour and the gendered nature of social reproductive work affect the experiences and well- being of women. The analysis focuses on the role that paid and unpaid gendered labour plays in the lives of garment workers in Johannesburg through shaping their daily experiences, by bringing together the data collected from semi-structured in-depth interviews with four factory managers and nine garment workers and my observations. The findings are presented in three chapters. In chapter four, Working conditions and gendered labour of garment factories in Johannesburg, chapter five Experiences of women employed in the garment industry with multiple forms of labour, and chapter six How women employed in garment factories in Johannesburg make meaning and understand their roles. The empirical findings of this research show that women employed in the garment industry undertake paid labour in the factories and unpaid labour in the home. They often experienced an interplay between both forms of labour as social reproductive responsibilities overflow into working hours and vice versa. Additionally, the findings indicated that labour served as a central aspect in the lives of the women as they structured their lives around paid labour and social reproductive tasks. Moreover, the findings showed that besides garment workers, the women took on multiple simultaneous roles such as providers, migrants, mothers and partners and they all had various ways in which they understood and made meaning of these roles. The findings of this study demonstrate that paid labour and unpaid social reproductive labour are not neatly divided into separate spheres. Instead, they are interconnected and overlapping. Supporting the thesis that women’s experiences of paid and unpaid labour are experienced within a gendered nexus. 9 1.2 Problem Statement Since the rise of globalisation and the deregulation of labour in the 1980’s there has been an increase in women’s participation in the labour force, this phenomenon is referred to as the feminization of labour (Standing, 1989; Akorsu, 2016). According to Akorsu (2016), neoliberal economic globalisation with its connected free trade is the single most cause that has led to the increase of the feminisation of labour. Globalisation and free trade have sought out cheap labour which has resulted in the transfer of production to economies with cheaper labour, mostly in the global South. Additionally, it has led to increased fragmented production flexibility and labour flexibility. Women have traditionally been marginalised into domestic, informal, and casual labour which seems to offer them the opportunity to hold employment and maintain their household responsibilities (Akorsu, 2016). In addition, women’s characteristics have become more desirable for certain sectors and have transformed women into a pool of labour (Akorsu, 2016). Woman are seen as timid and willing to work for less wages, they are seen as to have limited education and thus unaware of their labour rights and they are seen to have innate abilities and a malleable nature which are desirable for capitalists, especially in garment, textile, and technology industries (Akorsu, 2016). Therefore, feminization of labour is driven by a complex combination of demographic, cultural, and economic elements (Standing, 1989; Akorsu, 2016). Since women’s increased participation in the labour market there has been much focus in the literature on women juggling/maintaining a work-life balance. As women that participate in the labour force face a double burden of labour of paid work and unpaid domestic work (Fleetwood, 2007). Regarding the garment industry and woman workers there is plenty of literature that focuses on gendered garment labour and the appalling working conditions that women workers face globally, in Sri Lankan export-processing zones (Hancock et al, 2015), in Bangladeshi ready- made garment factories (Akhter et al, 2019), maquiladoras in Mexico (Domínguez et al, 2010), and the garment industry in Lesotho (Dyer, 2001). However, in the South African context much of the literature focuses on garment labour in the Western Cape, KwaZulu-Natal, and parts of the Free State (Natrass & Seekings, 2012). Regarding the city of Johannesburg, much of the literature provides an historical perspective on garment labour as the focus is on white garment labour from the 1920s to the 50s (Touyz, 1979; Witz, 1988; Hart, et al, 1989; Brink, 1984). 10 However, in terms of contemporary literature on garment labour and workers in Johannesburg there is a gap in the literature as there is little to no focus no on the experiences of women garment workers specifically in the context of Johannesburg, which is what this study aims to provide. 1.3 Research Questions This research report intends to answer the following questions that are intrinsically embedded in the research: ● What are the working conditions in garment factories situated in Johannesburg? ● What is the gender composition in garment factories in Johannesburg? ● What are the experiences of women employed in the garment industry in paid labour and unpaid social reproductive labour? ● What is the interplay of paid labour and unpaid labour in the lives of women employed in the garment industry? ● What are the experiences of migrant women employed in the garment industry? ● How do women employed in the garment industries make meaning, understand, and perceive their roles? ● How is the well-being of women employed in the garment industry affected by their roles in labour? 11 2 . Literature Review 12 This chapter provides a review of the literature concerning the main question of this research; How do women employed in garment factories experience the nexus of paid and unpaid labour in their daily lives? The review focuses on three main themes on the topic which emerge throughout the literature on the topic and the findings of this research. These themes are the impact of globalisation on the South African garment and textile industry and the gendered labour that characterises garment work, the double-burden of labour women face and the multiple roles they engage in and lastly, gender and migrant labour in relation to garment work. In order to gauge the question, the review of literature aims to provide an overview of the structure of the garment sector in Johannesburg, highlight the dual roles and significance of women in paid and unpaid labour and detail the experiences of migrant women. 2.1 Johannesburg’s garment industry and gendered labour Globalisation It is of importance to begin this discussion by looking at the production system that shapes global capitalism as it is inherently linked to labour in the global south. Gereffi & Korzeniewicz (1994) note trade liberalisation led to nations participating in global manufacturing chains by specialising in different branches of manufacturing at various stages within a specific industry. This has led to the emergence of a global manufacturing system and global commodity chain in which the production of commodities is outsourced amongst several developing as well as industrialised countries. This is particularly the situation for the textile and garment sector. According to Gereffi & Korzeniewicz (1994), manufactures and retailers mostly located in the global north (such as big apparel brands e.g., Nike, GAP, etc.) have established an international trade network that stretches amongst a vast geographical distance around the globe. This type of commodity chain is referred to as a buyer-driven commodity chain as industries such as large apparel retailers set up a dispersed production network in a variety of exporting countries mostly located in the global south. A buyer-driven commodity chain involves buyer companies providing the specification of designs or tasks located often in the global north (or located within the chain at the controlling node of power) to various manufactures or factories that manufacture, package and ship all around the world from the global south. This process is primarily carried out through the management of trade networks (raw material and component 13 suppliers, manufacturers, factories, traders, overseas buyers, and retailers) to ensure that products come together as an integrated whole from various locations around the globe. The rise of global competition has reshaped trade and production and thus changed industries such as the clothing and textile industry. A buyer-driven commodity chain within the clothing and textile industry is characterised by multiple small labour-intensive factories that offer low-wage labour (such as sweatshops) and flexible organising that attract foreign investment and increase competitiveness in the specific industry (Gereffi & Korzeniewicz, 1994). Appelbaum & Lichtenstein (2006) note that globalisation is a result of policy choices and has shifted power from the manufacturer to retail distribution and from an economy centred on high-wage men to one where the flexible low-wage labour of women is crucial. According to Vlok (2006), before democratisation in 1994 the clothing and textile industry in South Africa remained protected from international trade and competition, focusing on the domestic market and import substitution. After apartheid, South Africa joined The World Trade Organization (WTO) and opened its markets to international trade. In the 1990s the value of the Rand depreciated steadily leading to undervaluation which allowed the industry to increase exports and remain competitive against imports. However, in the 2000s the value of the Rand appreciated and much of the export performance disappeared. Moreover, the increasing liberalisation over trade and the reduction of tariff barriers saw a surge in imports primarily from China, as China has lower production costs and imports from China are cheaper. This resulted in a crisis in the South African clothing and textile industry characterised by a major loss of employment (Vlok, 2006) as many clothing and textile factories relocated to rural areas or to countries such as Botswana and Lesotho to take advantage of cheaper labour (Joynt & Webster, 2016). According to Joynt & Webster (2016) the fashion district of inner-city of Johannesburg, Gauteng was once a prosperous hub for South Africa’s clothing and textile industry on the Witwatersrand in 1920s and 30s (see also Dos Santos, 2009) which was previously characterised by large full-package manufactures (FPMs), which handle the whole manufacturing process of clothing by designing, sourcing materials and producing the entire garment start to finish (Joynt & Webster, 2016). However, as a result of trade liberalisation and international competition, today the inner city of Johannesburg has only a few FMPs as the industry is decentralised and instead characterised by hundreds of smaller informal and unregulated cuts, make and trim factories (CMTs), which only assemble garments based off 14 given designs and materials. Many of these CMT’s operate in run-down hijacked buildings that have been abandoned by their owners in the inner city’s fashion district (Joynt & Webster, 2016) whereas the big design houses and independent fashion designers that put Johannesburg on the fashion map operate in the city’s more commercially developed suburbs located in the North, away from the city centre (Rogerson, 2006). CMT's in inner-city Johannesburg are characterised by African migrant labourers with advanced skills in stitching and embroidery specialising in African prints, bridal gowns, curtains, custom items, etc. (Joynt & Webster, 2016). Joynt &Webster (2016) note, “The majority of the enterprises in the Fashion District are linked to small, primarily domestic, value chains, and there are few production links from larger factories in the district to the SMEs in surrounding areas. For the most part, Fashion District factories are neither export-orientated nor linked to international brand names.” (p.51). There are four main types of clothing enterprises identified in the Johannesburg ‘fashion district’. (1) FMP’s: are connected to the value chain, contracted to large brands and retailers. They are formal and regulated, workers are unionised, are mostly local, work regular hours and receive bargaining council wages (Joynt & Webster, 2016). (2) Connected CMT’s: are registered, linked to formal production chains, connected to independent designers, or contracted to larger FMPs to produce clothing for niche designer markets and in rare cases international markets. The workers are both local and migrants, workers are not unionised, but they work regular hours and receive bargaining council wages. (3) Piecework CMT: lacks a design house, relies on irregular contracts, could be registered and they supply local designers or small retailers. The workers are local and migrants; there is no worker unionisation; they work irregular hours, and wages are paid by piece and employment is precarious (Joynt & Webster, 2016). Lastly (4) survivalist CMT’s and micro-enterprises: are not linked to design houses nor tenders, they supply small retail stores, street traders, and individual customers, they are unregistered and unregulated, and the workers are mostly migrants; there is no worker unionisation; workers are paid per piece produced and working hours are irregular and employment is precarious. This type of CMT is mostly male migrant-owned and employs male migrants and is typically based in small rooms in tall buildings in the inner city which are often cramped and stuffy (Joynt & Webster, 2016). Thus, the international competition resulted in the restructuring of the clothing industry in inner-city Johannesburg which in turn created a precarious class of workers (Von Holdt & Webster, 2008). The rise of new precarious workers in the industry has weakened the collective organised labour due to the fragmentation of the labour market from the 15 decentralisation of production and the increase in casual part-time work (Joynt & Webster, 2016). Beyond clothing factories in the inner city of Johannesburg, Nattrass & Seekings (2012) note that the South African clothing industry is the most laborious sector of South Africa’s manufacturing industry. The industry consists of various divisions with different product specialisations, “these include a high waged and less labour-intensive sector producing good- quality garments for high-income markets and a low waged, more labour-intensive sector” (Nattrass & Seekings, 2012, p.1), mostly located in KZN, Free State, and Western Cape. That produce basic clothing for middle to low-income consumers (Nattrass & Seekings, 2012). Now that it is clear how the garment industry in contemporary Johannesburg is structured, in the following section I move to discuss the type of labour that characterises garment work, with a specific focus on the gender relations of labour in the South African garment industry. Gendered Garment Labour Typically, global garment work is associated with women’s labour. In the late 1960s a new type of employment in production/manufacturing clothing and textile factories became available for many poor women in the global south (Elson & Pearson,1981; Chapkins & Enloe,1983), due to multinational corporations relocating labour-intensive production lines from developed countries to cheaper production sites in the global south in the1960s (Caraway, 2007). The labour required for production and manufacturing is typically viewed as ‘low-skill’ and is inherently linked to gender as work in the clothing and textile industry such as sewing is perceived as innately ‘women’s work’. Furthermore, Elson & Pearson (1981) note, it is widely viewed that female labour is cheaper and more productive than male labour. These gendered stereotypes and divisions of labour are based on perceived 'natural' personality traits, capacities, and needs. Women's 'nimble fingers' are believed to be better suited and more productive for work with clothing and textiles, women are thought to be more docile, willing to do more work through discipline and more suited to repetitive work than men (Elson & Pearson, 1981). In terms of lower wages, it is believed that women do not need as much money as men as they are not socially perceived as the sole provider for their families, and it is also due to women being perceived as having secondary status in the labour market due to their capacity to bear children which in most cases take women out of the labour market (Elson & Pearson, 1981). Elson and Pearson (1981) argue that though there are differences between men and women as factory workers, these differences are far from natural. Moreover, Caraway 16 (2007) notes that exporters competing in global markets are sensitive to labour costs with gendered consequences. Exporters hire women based on their subordinate position to men which means they could be paid lower wages thus export-orientation and patriarchy combine to construct women as an ideal workforce (Caraway, 2007). In South Africa, the garment industry has been historically dominated by women workers (Baker, 1962; Brink, 1986; Berger, 1992). In more recent research, a study by Tager (2016) on women in the clothing and textile industry in South Africa (unidentified site) based on interviews with SACTWU shop stewards in 2014, identified that gender was a major theme that arose as many of wage and factory conditions were directly related to gender with male managers and female workers. Many of the shop stewards were male who represented female- dominated factories. In terms of the workforce, the women workers operated sewing machines whereas the males were in higher positions as stock assistants or clerks. The working conditions for women involved lack of benefits (maternity leave), discrimination for pregnancy, unsafe and unsanitary working conditions, pressures to meet quotas and low wages. Moreover, women workers in South African clothing factories faced discrimination on an intersectional basis of class, gender, and race. Shop stewards noted that women workers were placed in an inferior position based on their position in the labour market as factory workers, on the basis of their gender "as females facing male supervisors, makes it difficult for them to assert their demands" (Tager, 2016, p. 40). Similarly, Karrim (2011), found that the majority of female employees that made up the clothing and textile industry work under awful working conditions. This emerged from raids on 12 Chinese-owned factories in Newcastle KwaZulu-Natal, by the police, departments of labour and home affairs, the National Bargaining Council and the South African Clothing and Textile Workers’ Union (SACTWU). They found that garment and textile workers at these factories were being paid less than R489, which is less than the weekly minimum wage stipulated by the council. The workers were also subjected to a poor working environment and treatment. The workers at these foreign owned factories never received toilet paper and any injured factory workers were left outside the building, so the factory owners could avoid being held accountable for an injury. Moreover, the garment workers were strip searched, “We have to open our bras and lower our underwear in front of all the other workers. When we have our periods, they make us take off our sanitary pads. They don’t care that there are men around or that they’re insulting my culture” (Karrim, 2011, Mail & Guardian). Overall, it was found that the female majority garment worker's human and labour rights were being violated. On the contrary, Joynt & Webster (2016) found that Johannesburg's clothing industry 17 was dominated by male garment workers. According to Joynt & Webster (2016), many informal CMT's in the inner-city fashion district are owned by majority migrant male's and the employees were predominantly male migrants from other African countries. This section provided an overview of the production systems that shape global capitalism, the impact of globalisation on the South African garment industry and the structure of the contemporary garment industry in the inner city of Johannesburg. In addition, this section provided a gender profile of garment labour. Given that women garment workers are the focus of this research, in the next section I examine women's daily roles and experiences both on the factory floor and in their home. 2.2 Double burden of labour Women are often ascribed to a double burden of labour - of paid labour and unpaid social reproductive labour (Sengupta & Sachdeva, 2017). Even in cases involving families wherein both partners have full-time paid employment women are often left with the responsibility and spend more time on domestic labour than men (Hochschild & Machung, 2012). Hochschild & Machung (2012) note that the social reproductive labour that women take on in the home after a day of paid labour in the workplace can be referred to as a ‘second shift’ of labour, moreover they note that the gendered nature of social reproductive labour is due to the internalisation of traditional gender roles by both partners in a family hence men and women both believe that it is the women’s job to take on the majority of domestic labour in the home. This division of labour is true for South Africa as well (Mosoetsa, 2011; Fakier & Cock, 2009; Budlender, 2010). Unpaid social reproductive work in the home has always been socially constructed as gendered ‘women’s work’ and is still mostly performed by women (Federici, 2012). Housework has been imposed on women and "transformed into a natural attribute of our female physique and personality, an internal need, an aspiration, supposedly coming from the depths of our female character" (Federici, 2012, p. 16) thus framing social reproductive work as something other than work. Unpaid social reproductive work in the home can take the form of (a) biological reproduction and the sexual, emotional, and affective conditions to maintain motherhood/family and intimate relationships; (b) reproduction of the labour force involving subsistence, education, and training; and, (c) unpaid production in the home of goods, services, 18 the provisioning of care and the social provisioning of needs in the community (e.g., voluntary work) (Rai et al., 2014; Bakker, 2007). Unpaid social reproductive work in the home is directly linked to capitalism and paid employment as human labour reproduces society. More specifically, social reproduction such as 'familial' and 'communitarian' labour serves to sustain and reproduce the workers and their labour power as a commodity for capitalism (Chattopadhyay,1999). An aspect of the social reproduction of labour power occurs through the home/family as it forms a site where labour is replenished through the availability of food, clothing, shelter, and rest (Bhattacharya, 2017). Though the home might be a space where workers reproduce their labour power, the gendered nature of social reproduction means that women workers that take on social reproduction also maintain the labour power of other members of the family as they are fed, clothed, and rested (Heitlinger, 1979). The understanding of capitalism is incomplete if we do not consider how social reproduction reproduces capitalism – “the daily and generational reproduction that occurs in households, hospitals, schools, etc. that sustains the drive for accumulation” ((Ferguson, 2015) as cited in (Bhattacharya, 2017, p. 2)). In the South African context, Benya (2015), highlights the role of women’s unpaid social reproductive labour in the context of the Marikana mine strikes of 2012 which brings together the world of work and home. Social reproductive labour is not merely just ‘housework’. Instead, it is work done for the benefit of capitalists and its reproduction as worker’s ability to perform their best to maximise surplus value, this depends on the unpaid work of women (Brown et al, 2013 as cited in Benya, 2015). Benya (2015) notes, in the mining town of Marikana, North West, the women are mostly positioned as the partners to the mineworkers. These women take care and look after the migrant mine workers on a daily basis more than their wives who remain in the mine worker’s place of origin. The women of Marikana service the men, fetch water, prepare meals, wash dirty laundry, and reproduce their labour. They have children, raise children, and take care of the mineworkers when they are ill. As mistresses these women remain in precarious positions often dependent on the wages of the men. This means that they are “at the beck and call of their male partners, their lives dictated by men and the mines” (Benya, 2015, p.547). These women do most of the work that reproduces the daily conditions of mineworkers. The men’s low wages are also subsidised by women’s unpaid labour and without the unpaid labour of these women the men would not be productive workers. In the wake of Marikana mine strikes and the massacre, Benya (2015) states the lives 19 of the women of Marikana are greatly affected by the mines and mine working shifts as their daily conversations revolve around the events of the mine. Their partners wages determine whether they can purchase basic necessities and mine shifts determine their activities for the day. During the miners’ strike the women were highly involved. They would support each other when their partners did not return home from the mines, and they provided food for mineworkers hiding from police harassment. Moreover, women also played a key role in mobilising and sustaining the mineworker strike and at the Commission of Inquiry on behalf of mineworkers who could not attend due to injury. Therefore, Benya (2015) argues that women of Marikana are central to the accumulation to capital but also central to resisting it through their roles in mine wage strikes: “Rather, we need to see women’s reproductive activities as critical in simultaneously holding together the mines and shaping their politics of production” (p.556). Similarly, Fakir & Cock (2009) argue that African working-class women are the shock absorbers of the crisis of social reproduction in South Africa. Based on literature, unpaid social reproductive labour is often viewed as something other than work. Folbre & Nelson (2000) state that the term ‘homemaking’ is often used to describe women’s unpaid work in the home due to the nature of caring activities mixed with household production and is often presented as a ‘labour of love’. However, this division lumps together the difference between physical care labour and emotional labour. This blurs the physical labour involved in unpaid social reproduction and represents the feelings of fatigue and irritation as that involved in emotional labour (Hochschild, 2002; Fakir & Cock, 2009). Similarly, the literature on garment labour often frames garment factory labour predominantly done by women as ‘unskilled’ labour. Morris & Barnes (2014) notes that the labour-intensive nature of the apparel sector allows the sector to absorb large numbers of ‘unskilled’ labour. According to English (2013), gendered notions of labour and wages resulted in men holding textile jobs that involve strength, skills, and specialised training in roles such as managers, shop floor supervisors and machine fixers. Whereas women hold ‘unskilled positions’ such as machinists and spoolers, these positions have lower wages and lesser responsibility (English, 2013). English (2013) states that introduction of new technology in the apparel and textile industry broke down the production of garments into smaller and smaller tasks, sometimes into hundreds of discrete operations. This led to deskilling as it removed the skill required to make a garment from fabric to a ready-to-wear product (English, 2013). Garment factory work is mostly framed as ‘unskilled’ labour globally (English, 2013). However, literature centred 20 around research on the experiences of women garment workers often frame garment work as skilled and garment workers as possessing expertise in sewing. Based on ethnographic fieldwork amongst garment workers in Trinidad, Prentice (2012) found that learning to sew provides Trinidadian women with the ‘technical skill’ to create livelihood strategies through paid wage labour as garment factory workers or petty production for a private client base. Prentice (2012) notes that garment making requires two skills for cutting and stitching. Cutting involves mapping out patterns and executing it onto material. This involves “visualizing, measuring, designing, drawing, plotting, and cutting fabric with scissors” (p.403). Stitching involves sewing pieces of fabric together either by hand or sewing machine to create a ready- to-wear garment. Prentice (2012) states that for garment workers, describing themselves as dressmakers or into sewing is more than just an occupational identity. Instead, it is a phrase that invokes their cherished expertise. The factory, sewing school and the home are all sites to acquire and attain sewing expertise (Prentice, 2012). Similarly, Lynch (1999) states that there are technical skills that are involved in garment work that workers need to master. For instance, machinists have a vast list of skills to master such as sewing seams in various patterns, sewing on different types of electric industrial sewing machines, threading various types of fabric. Moreover, besides sewing skills, garment workers need to master efficacy on the production line, machinists need to master the skill of minimizing any injury such as back pain and other bodily pain (Lynch, 1999). Rauch (1996) addresses the social construction of skill amongst female garment workers in Vancouver. Rauch (1996) states that the labour of garment workers is socially constructed as being of low-value and low-skill both within the factory and outside of the factory. However, based on ethnographic observation on the shopfloor and interviews with workers, management, and unions, it was found that despite the efforts of managerial staff to create the perceptions of ‘unskilled’ work and workers, garment workers are knowledgeable and competent on the job (Rauch, 1996). Now that women’s double burden of labour and their importance and skill set in these spheres have been discussed. The subsequent section will focus on the multiple roles and responsibilities women take on in their nexus of paid and unpaid labour. 21 Multiple Roles The double-burden of labour that women experience often positions them in multiple roles. According to Sumra & Schillaci (2015), women that balance paid labour outside of their home along with their domestic responsibilities engage simultaneously in multiple roles. According to Sumra & Schillaci (2015), “the engagement in multiple roles has been regarded as a key characteristic of female identity” (p.3). Multiple roles are often associated with the construct of the female ‘superwoman’ identity. The superwoman identity refers to a woman who adopts multiple roles such as mother, partner, worker, caregiver, sister, etc. (Sumra & Schillaci, 2015). The literature around the ‘superwoman’ identity often posits the identity construct in relation to the double-burden of fulfilling both career and domestic obligations (Sumra & Schillaci, 2015, Newell, 1993; Xhaho, 2021). In the South African context, the roles of women are amplified due to the prevalence of woman-headed households because of the high rates of father absence in South Africa (Chauke & Khunou, 2014). According to McLanahan & Teitler (1998), single mothers are forced to play two roles- that of father and mother. Hence single mothers may experience higher stress levels (McLanahan & Teitler, 1998). Contrary to the literature that dismisses the gendered labour experiences of female garment workers, both Wright (2013) and Gunawardana (2016) furthermore address the effect of this double burden of labour by assessing the well-being of female garment workers. Wright (2013) unpacks the myth of the ‘disposable third-world women’ in global capitalism and argues that it is the dominant discourse of neoliberal economic development. According to Wright (2013), the myth of the ‘disposable woman’ is centred around a young woman from the global south, who through time employed at the factory, losses her value until she is ‘worthless’. This occurs a process of ‘wasting away’ within factories that employ women, as it is perceived that shortly after her employment, she loses the physical and mental capacities (due to exploitative working conditions) required to do her job thus she is only worth less than the cost of her dismissal and replacement. This myth is based on the explanation that the process of wasting away is a natural outcome and thus nothing can be done to avoid the result. Wright (2013) states that this myth is used by global capitalism and owners/managers of factories in the third world to justify exploitative labour conditions but to also view third-world women as disposable devalued labour and to gender woman workers in the third world to the point that they are reduced to mere characteristics valuable to capitalism such as a pool of surplus population and other physical characteristics that are of value (nimble fingers). From 22 this, capitalism extracts the value till these women result in waste to be disposed of (Wright, 2006). Similarly, Gunawardana (2016) argues that both dual roles for women, to carry out social reproduction in the home and wage labour in clothing factories bring gendered harm and deplete the women worker until she is no more, as factory work does not provide adequate resources to replenish for labour reproduction, such as enough time to rest and money to buy healthy food and shelter. This often results in depletion in the form of physical injuries which hinder women from carrying out factory labour (Gunawardana, 2016). This section tackles the notions that dismiss gendered social reproductive work as something other than work and gendered garment labour as unskilled labour. By highlighting the significance of unpaid social reproductive labour done by women and by emphasising the skills required for garment work. Moreover, this section stresses the double burden of labour that women face along the multiple roles they take on and impact of this on their wellbeing. In the following section I discuss garment labour and gendered migration in the context of Johannesburg. 23 2.3 Migration and labour Migration and Garment Work Given that the findings of this research indicate that there are migrants prevalent in the labour supply to garment factories in the city of Johannesburg, it is important to discuss the relation of migrant labour to garment work. Migration due to work is one of the primary reasons for international mobility globally (ACMS, 2022). In the global context, internal migration for garment work has been a common occurrence in countries with a thriving garment industry. The literature shows that rural to urban migration is common among women in search of garment factory jobs in Bangladesh, Sri-Lanka, India, and Lesotho amongst many other countries (Patwary, 2022; Withers & Piper, 2018; Gim, 2019; Botea, et al, 2018). However, in the context of Johannesburg, rural to urban migration for garment work was more common before South Africa joined the World Trade Organization (WTO) and opened up its markets to international trade resulting in increased imports. Brink (1986) and Hart & Parnell (2012) note that the growth of the garment industry in Johannesburg during 1915-1939 attracted women in search of work. Hence Afrikaner women from the impoverished countryside in the rural areas migrated to Johannesburg (Brink, 1986; Hart & Parnell, 2012). However, unlike the majority of findings that indicate rural to urban migration for work in garment factories, the contemporary labour force at garment factories in Johannesburg mostly comprises locals and external African immigrants from Malawi, Zimbabwe, Ghana, Botswana and Mozambique as aforementioned by Joynt &Webster (2016). In the next section I examine migration to Johannesburg relative to gender. Gendered experiences of migration The city of Johannesburg, South Africa is a place where many South Africans and migrants come in search for better lives and improved livelihoods (Isike & Isike, 2012; Walker & Oliveira, 2022). Grant & Thompson (2015) note that the city of Johannesburg is a characteristically a migrant city. After the end of apartheid, the inner-city of Johannesburg has been witnessed an influx of African immigrants along with informal trade networks and international migration circuits (Grant & Thompson, 2015). Walker & Oliveira (2022) note that for some the city represents a place of hope and refuge, yet the city is only home to only few of the residents. For some people the city of Johannesburg represents an entanglement of 24 hope, desperation, poverty, possibility, and disappointment. According to Walker & Oliveira (2022), these paradoxes are more acute to women migrants who are both poor and Black. According to Kihato (2007), early literature on migration in Johannesburg mostly framed migration as “consequence of regional economic imbalances and employment” (p.90) and centred male migrants and the demand for ‘productive male labour’. However, Kihato (2007) notes that this discounted women as “analytically and economically unimportant” (p.90). Moreover, Kihato (2007) states that literature that discusses women as migrant labourers often frames women as passive subjects in the migration process as they often only portray women migrants as an accessory, accompanying male migrants, or they discuss woman as receiving remittances from migrant men. However, Kihato (2007) notes that with the increase of female migration, population movements, the growing interest in gender studies, etc. has resulted in centring the migration experiences of women in migration literature. Yet this has often solely focused on the negative such as women's vulnerability and coercion into exploitative labour. Kihato (2007) states that this reproduces “women’s perceived passivity and lack of agency in the migration process” (p.91). Moreover, this perspective often frames women as victims that need to be ‘saved’ and makes the lives of migrant women invisible (Kihato, 2007). In her own study of women migrants from neighbouring African countries in the inner-city of Johannesburg and surrounding areas, Kihato (2007) found that women who have migrated to Johannesburg indicated that their migration and their lives were difficult as they often face an intersection of vulnerabilities such as economic marginalisation, physical danger, patriarchal oppression, loneliness and disruption of familial support structures yet the narratives of these women migrants rejected victim identities. Rather the women used terms like ‘struggle’ as a positive qualifier for survival. In addition, Kihato (2007) found that women were not only secondary participants in migration as they made their own decisions to migrate. Moreover, despite the fact that women migrants were less likely to have access to formal/regular paid jobs than men, it was found that they have similar economic profiles to men and were more likely to be entrepreneurial (Kihato, 2007). Similarly, unlike other literature that excludes, misrepresents, or underrepresents these groups, Walker & Oliveira (2020) explore the lived experience and needs of women migrants from the African continent living in Johannesburg through art-based methodologies. They position the women migrants as ‘experts’ of their own experiences and allow the participants to control, explore, and portray their lived experience on the intersections of being both a woman and a 25 migrant in Johannesburg (Walker & Oliveira, 2020). Through narrative stories and the creation of a decorative quilt by the participants, Walker & Oliveira (2020) found that migrant women had complex lives. They found that all the participants travelled to South Africa as either asylum seekers, fleeing war or instabilities in their countries of origin from countries such as Rwanda, DRC, and Zimbabwe. In addition, the women’s everyday experiences were shaped by an intersection of challenges such as issues with access to free healthcare, employment and schooling for their children that were tangled with gender-based violence and xenophobia (Walker & Oliveira, 2020). Lastly, Walker & Oliveira (2020) found that migrant women in Johannesburg faced issues with their identities and issues of belonging. Overall, the review of the literature above provided an overview of the main themes and concepts necessary for understanding how women employed in garment factories experience the nexus of paid and unpaid labour in their daily lives. 26 3 Methodology 27 3.1 Methodology This chapter details the methods that were employed to meet the objectives of this research by determining How do women employed in garment factories experience the nexus of paid and unpaid labour in their daily lives? The chapter entails detailed descriptions of the research processes such as methodologies, data collection instruments, description of research site and sampling techniques. Moreover, this chapter includes some insights on experiences conducting the research, highlighting the successes and challenges and how all these contribute towards the analysis of information and the compiled report. 3.2 Research Site The everyday practices of the garment workers took shape within garment factories in and around the inner city of Johannesburg such as Doornfontein, Troyeville, Jeppe, Selby and the Johannesburg CBD and within their homes located in either surrounding areas or areas situated on the outskirts of the city of Johannesburg, such as Soweto, Evaton, Orange Farm, Natalspruit, Berea, Jeppestown and Bertrams. All research was conducted at garment factories. There was a total of five factories involved in this study that varied in manufacturing and production types as detailed below: 28 Figure 1 Site in Context: Garment Factories in Johannesburg (source: GCRO,2022). Factory A: Factory A was situated in Doornfontein within a nine-story high-rise building. The high-rise building was characterised by many industrial, office or retail spaces in the form of various sized spaces or rooms, yet garment manufacturing spaces were the most commonly occurring such as Factory A. Factory A was housed in a small-medium sized room, that functioned as one manufacturing space as there was no separate areas for dedicated tasks such as the reception area, packing area, etc. Factory A was characterised as an informal CMT factory as they focused on the production process as the fabric and trims were supplied by the buyer. Factory A mainly produced hoodies, sweatshirts, and matric jackets. They also offered printing and embroidery to their clients however, this was outsourced by Factory A as they did not have their own machines for those services. Factory A was owned and managed by two black South African women. Factory B: Factory B was located in Maboneng, Jeppestown, within a high-rise building. This factory was housed in a medium-large space and the layout included separate spaces for the reception area, office, and factory. Factory B was a formal CMT and FPM. They mainly produced and manufactured corporate uniforms. Factory B was owned by a South African Indian man. Factory C: Factory C was situated in the Johannesburg CBD within a high-rise building. As in the case of Factory A, Factory C was housed in a small to medium sized room, that functioned as one manufacturing space as there were no separate areas for dedicated tasks such as the reception area, packing area, etc. Factory C was characterised as a small informal CMT. They mainly produced corporate clothing, industrial safety wear and school uniforms. Factory C was owned and managed by a black South African man. Factory D: Factory D was located in Troyeville, within a low-rise three-story building. This factory was housed on the entire third floor, which was a medium to large space. The layout of this site included a small office area in the front, the machinists’ setup in the back and the packing and checking section on the side. Factory D was characterised as an FPM and they mainly manufactured cleaners clothing, jackets, golf shirts and PPE. Factory D was owned by a South African Indian man and the main supervisor was a South African coloured woman. Factory E: Factory E was located in Selby. This site comprised two free-standing buildings. The smaller building was a small space that functioned as a reception and office area and the larger building housed the factory. Factory E was characterised as an FMP. They mainly 29 manufactured medical wear, culinary wear, and sportswear. Factory E was owned by a white South African man. The face-to-face in-depth semi-structured interviews were conducted either in the reception area, outside or inside the factories. During the interview masks were worn by researcher and participant and social distancing was maintained. The interview process lasted approximately 20 minutes each with the answer’s audio recorded with the given consent of the participant. 3.3 Data Collection and Sampling This study aimed to determine how women employed in garment factories experience the nexus of paid and unpaid labour in their daily lives. The methodology underpinning the data collection relied on a qualitative approach, this included in-depth semi-structured qualitative interviews and some observation as the aim of this research was to collect detailed information on the experiences of women in clothing factories. Roberts et al., (2003) argues that qualitative research is well suited to describe, explain and understand attitudes and human behaviours of a small number of participants in their natural setting as opposed to what may be considered the more artificial settings of quantitative surveys. The characteristics of qualitative research such the insider perspectives, the context sensitivity and the thick lengthy descriptions gained from in-depth semi structured interviews were key in determining how the nexus of gendered paid labour and unpaid social reproductive labour shape the everyday experience of women employed in garment factories. The primary method used to gather data was in-depth semi structured qualitative interviews as aforementioned. This interview process was similar to ordinary conversation as I elicited questions on topics as they arose naturally in conversation such as “Tell me what a typical working day looks like for you; from the time you wake up to the time you go to bed?”. Bless et al., (2013) argues that asking participants to comment on broadly concepts allows the participants the freedom to expand and reflect on their own experiences as they wish. In addition to in-depth semi-structured interviews, observation methods were utilised as a method of collecting data through watching, listening and documenting behaviour and events in a natural setting. The sample in this study consisted of thirteen participants: four garment factory managers and nine garment factory workers. Out of the nine garment factory workers, only two of the 30 participants were male. The participants were recruited through calling garment manufacturing companies/factories located in Johannesburg and requesting permission to visit the factory and hold face-to-face interviews with the factory managers/supervisors to gather information about the factories in addition to requesting permission to hold face-to-face interviews with female garment workers to gather information about their daily lives and labour experiences. The interview process with the factory supervisors/owners were done in a similar manner as the interviews with the garment workers. The factory supervisors/owners were asked questions around the workings of factories in terms of what type of factory it was, who they supplied to, how they hired staff, etc. Later in the study, it was discovered that the experiences of male garment workers would be of value to the study and thus two interviews with males were conducted as well. Besides purposive sampling, garment factory workers and managers were asked by the researcher to recommend other garment workers or factories as a means of snowball sampling, but no participants were gained through this channel. Below is a brief introduction to each garment worker in this study, pseudonyms are used to protect the participants identity: Stella: Stella was a 23-year-old, black woman, originally from Zimbabwe. Stella was employed at Factory A (informal CMT) located in Doornfontein. She worked as a general garment worker and her daily tasks in the factory involved doing the buying for materials or samples and handling the orders for the couriers to collect. In addition, she was also a trainee machinist but did not take on any sewing tasks. Stella was a single-mother of a two-year-old daughter. She lived in Bertrams with her daughter, sister and mother, less than 10 minutes away from the factory she was employed at. Patience: Patience was a 42-year-old, black woman. She was employed at Factory C (informal CMT) located in the Johannesburg CBD. Patience worked as a machinist. She was a single- mother of two children, aged 13 and 17 years-old. Patience lived with her children in Natalspruit, which was on estimate 45 minutes away from the factory she was employed at. Sarah: Sarah was a 46 -year-old, black woman. She was employed at Factory C (informal CMT) located in the Johannesburg CBD. Sarah worked as a machinist. She was a mother of four children: 8-year-old twins, a 12-year-old, and a 23-year-old. Moreover, Sarah was a wife, her husband worked as a taxi-driver. Sarah lived in Soweto with her children and husband, which was an estimated 45 minutes away from the factory she was employed at. 31 Sharon: Sharon was a 26-year-old, black woman. She was employed at Factory D (formal FPM) located in Troyeville. Sharon worked as a general garment worker. Her job involved packaging finished garments, receiving the textiles, and doing odd jobs on the factory floor. Sharon was a single-mother of a seven-year-old daughter. She lived in Jeppestown with her daughter, which was less than 10 minutes away from the factory where she was employed. Rose: Rose was a 27-year-old, black woman. She was employed at Factory D (formal FPM) located in Troyeville. Rose was employed as a general garment worker, checker and cleaner. Rose was a mother of a 6-year-old daughter. She resided with her daughter and partner in Berea, located 15 minutes away from the factory she was employed at. Lauren: Lauren was a 57-year-old, black woman. She was employed at Factory E (formal FPM) located in Selby, Johannesburg. Lauren was employed as a production director, but her other roles included supervisor and machinist at times. Lauren was a single mother of three children, aged 37, 23 and 21-years-old. She resided in Evaton with her youngest child, which was typically a 45-minute commute to the factory. Lydia: Lydia was a 48-year-old, black woman, originally from Lesotho. She was employed at Factory E (FMP) as a machinist. Lydia was a single mother of three children, aged 10, 16 and 25 years old. She resided in Orange Farm with her two younger children. Orange Farm was on estimate a 30 - 40-minute commute to the factory where Lydia was employed. Samson: Samson was a 44-year-old black man originally from Malawi. He was employed at Factory D as a machinist. Samson was a husband and a father to three children, aged 8, 10 and 14 years old. He resided in Bertrams with his wife and three children. Bertrams was only 10 minutes away from the factory. Dan: Dan was a 29-year-old black man originally from Malawi. He was employed at Factory D as a machinist. Dan was a husband and a father to one child, aged 5 years old. He resided in Bertrams with his wife as his child remained in his country of origin. Brief interviews were also conducted with four factory managers. Tyler was a 37-year-old South African Indian male. He was the owner and director of Factory B, and he oversaw the running of the business and. Tshepiso was a black South African male, he was the co-owner and manager of Factory C. Yolandey, was a South African Coloured woman. She was a supervisor at Factory D, and she oversaw the factory workers and the production process. 32 Lastly, there was David, a South African white male. He owned Factory E and mostly worked in the office and oversaw the overall running of the company. Listed below is an overview of all interviews conducted in this study: Interview no. Date of Interview Participant Name Job Description Factory Type Location 1 08/08/2021 Stella General worker/machinist in training Factory A: Informal CMT New Doornfontein 2 08/08/2021 Tyler Factory manager/owner Factory B: formal FPM & CMT New Doornfontein 3 02/12/2021 Tshepiso Factory manager/owner Factory C: Informal CMT Johannesburg CBD 4 02/12/2021 Patience Machinist Factory C: Informal CMT Johannesburg CBD 5 02/12/2021 Sarah Machinist Factory C: Informal CMT Johannesburg CBD 6 02/12/2021 Yolandey Factory manager Factory D: Formal FPM Troyeville 7 02/12/2021 Sharon General garment worker/ receiver Factory D: Formal FPM Troyeville 8 02/12/2021 Rose General garment worker and garment checker Factory D: Formal FPM Troyeville 9 10/12/2021 David Manager Factory E: Formal FPM Selby 33 10 10/12/2021 Lauren Production director/ floor supervisor/ machinist Factory E: Formal FPM Selby 11 10/12/2021 Lydia Machinist Factory E: Formal FPM Selby 12 18/03/2022 Samson Machinist Factory D: Formal FPM Troyeville 13 18/03/2022 Dan Machinist Factory D: Formal FPM Troyeville Table 1 3.4 Limitations The study was constrained by several factors; these include gaining access, time constraints, language barriers and sample size. The study was constrained by a limited timeframe and because gaining access to garment factories and participants took a lengthy amount of time to locate companies with factories in Johannesburg that were willing to allow research to be conducted. Thus, the sample size remained relatively small. During fieldwork itself time constraints had also been a limitation as most garment factories required the interview process to be done as quickly as possible or no longer than 15 minutes overall to not take away from production time at the factory, with two of the visited factories stating that research could only be conducted during the lunchtime of the garment workers. This limited the amount of time spent interviewing participants and eliciting more in-depth questions. In addition to this, language barriers presented one of the biggest stumbling blocks, during the interview process most participants would not understand the initial phrasing of the questions which required the question to be rephrased to simpler terms which, to a degree, impacted the initial meaning of the question. On the other hand, the language barrier resulted in some participants answering questions very briefly, even in the case where they were asked to elaborate which did not allow me to get a descriptive account of their lives. One of the interviews conducted was informally translated by a admin staff between myself and a Sesotho speaking garment worker, which meant that a lot may have been lost in translation; thus, providing room for misunderstandings and my own potential misrepresentations of particular narratives, and again due to time 34 constraints, I was not able to go back to each woman and fill in gaps in narratives but I was able to call factories and speak to managers. 3.5 Ethical Considerations The ethical considerations in this study included the guarantee of confidentiality of the participants, issues of informed consent and Covid-19 regulations. Confidentiality was ensured by the use of pseudonyms and identifying information was removed in the research report, moreover, the audio recordings were stored on a password protected device, were only accessible to the researcher for transcription and were destroyed at the completion of the research. The participants were required to give their informed consent both verbally and through signing formal consent forms to participate in the study and their informed consent was required to have the interview audio recorded. Participants were informed that they could withdraw their participation at any point during the interview if they wished to do so. This study was low-risk and ethical permission was obtained via The School of Social Science’s ethics committee. The study was in line with the COVID-19 national regulations, guidelines, and protocols in the collection of data as masks were worn and social distancing was always maintained of least one and a half metres from each other, all interviews were either conducted in well-ventilated areas or outside. 3.4 Analysis The method of analysis used in this study was a thematic analysis. The audio recordings of the in-depth semi-structured qualitative interviews with garment workers and factory supervisors were transcribed and then coded thematically to reveal recurring themes and patterns. A thematic analysis was used to understand the data through identifying themes in order to understand the experiences of a specific group of people (Kawulich & Holland, 2012), in this case the experiences of female garment factory workers in the factory and in the home. The thematic analysis involved familiarisation of the data through transcribing, analysing, and 35 reading the text, coding all data, and then identifying and reviewing seven core categories this process involved grouping interrelated codes under much broader themes: Codes Categories ● Gender composition in the factory ● Personality traits in the workplace ● “Women work” ● The role of men in the participants lives Gender roles ● Tired ● Stress ● Time spent on social reproduction. ● sleeping hours well-being ● Working hours ● Wages ● Working environment conditions ● Workplace conduct ● Job security ● Travel time Working Conditions ● No partner/husband ● Lives alone with children Single headed household ● Supporting extended family members Multiple dependants ● Migration and remittance practices ● Stress ● Roles in labour Experiences and understandings 36 ● Roles as providers ● Cooking ● Cleaning ● Childcare ● Care for others ● Dependant on social reproductive labour from others Social Reproduction/ Unpaid Labour Each of these themes were examined to gain understanding, insight and perceptions of participant’s everyday lived experience, their roles in paid and unpaid labour and the gendered challenges they face. The identified themes are in line with concepts discussed under the literature review in chapter 3, mainly the working conditions at the garment factory and in the home, the gendered roles in at work and in the home, the interplay between paid labour and unpaid labour and the perceptions, understanding and experiences of women and their role in labour. Moreover, the core identified themes are in line with the set-out research questions. The identified themes were grouped under a set of analytical categories. In the chapters to follow I discuss the three main themes that emerged from the analysis. These themes are Working conditions and gendered labour of garment factories in Johannesburg, the analysis maps out the structure of each of the visited factories, determines the working conditions based on the experiences of women employed in these factories and lastly determines the gendered labour in contemporary garment factories located in Johannesburg, based on the data collected on the working conditions, the gender composition in the workplace and the perceived gendered characteristics. The fifth chapter: Experiences of women employed in the garment industry with multiple forms of labour, focuses on the lived experience of women garment workers in the interplay between paid and unpaid labour. Lastly, chapter six; How women employed in garment factories in Johannesburg make meaning and understand their roles, explores how the women make meaning, understand, and perceive their roles and 37 identities as garment factory workers, migrant labourers, and their roles and identities in their social reproductive spheres such as providers, caregivers, mothers, etc. 38 4 . Working conditions and gendered labour of garment factories in Johannesburg 39 4.1 Contemporary garment factories located in Johannesburg. The garment factories where the participants in this study were employed were characterised by different manufacturing purposes and working conditions. Most of the garment workers in this study were employed at garment factories that were linked to the formal sector of the garment manufacturing industry except for three participants which were employed at smaller informal factories. The formal factories were characterised predominantly by full-package manufacturers (FPMs). The formal FPMs handled the whole manufacturing process of clothing by designing, sourcing, or manufacturing materials, and producing the entire garment from start to finish. The two informal factories in this study were smaller, linked to the informal sector, which were unregulated and characterised by a combination of FPMs and cut, make and trim factories (CMTs). The smaller informal factories handled the whole manufacturing process and took orders that only involved the assembling of garments based on given designs and materials. The participants in this study were employed at factories that manufactured everyday garments such as t-shirts, pants, dresses, uniforms, etc.., except for one of the formal factories that specifically manufactured culinary wear, medical scrubs, and gym wear. The formal FPMs were larger factories located in and around the city of Johannesburg. Factory E was situated in a large stand-alone building that was attached to another smaller building that housed the reception area and office. The other two formal factories, factories B and D, were housed on a single floor in low-rise buildings that took up the entire floor of the building. They both had a separate large factory space and office space. On the other hand, the two smaller informal factories (factories A and C) were located on the outskirts of the Johannesburg CBD and in New Doornfontein. These smaller factories were both housed within small rooms in high-rise buildings. There were no demarcated signs to indicate the name of the factories and there was no separate office nor reception space. The high-rise buildings where these factories were located also housed several other small informal garment factories. 40 Figure 2 Garment Factory (D): Factory Floor All the garment workers in this study were employed at factories that were primarily linked to domestic value chains with a few productions linked to neighbouring African countries such as Botswana and Namibia but none were linked to international brand names nor specifically, export oriented: “We mostly supply local but we have dealt with orders from Botswana and Namibia” (Interview 1), “We do supply locally but there are times where orders have come in from other African countries” (Interview 8). Similarly, in their study on garment workers in the inner city of Johannesburg, Joynt & Webster (2016) have noted that the former Johannesburg fashion district and garment industry in the Johannesburg city was decentralised. There were fewer FMPs and hundreds of smaller informal CMTs that operated from high-rise buildings. In addition, Joynt & Webster (2016) also found that garment factories in Johannesburg, specifically the informal CMTs, predominantly supplied to local retailers. However, unlike in the work of Joynt & Webster (2016), I found that the majority of garment factory workers were South African nationals yet two of the garment workers were migrants 41 employed at informal CMTs. Joynt & Webster (2016) have noted that migrants were more likely to be employed at this type of garment factory. The nature of the work processes involved in manufacturing garments for the participants, like most workplaces, were characterised by workplace hierarchies. The workplace hierarchies in garment factories usually consisted of (from top to bottom) factory managers, production directors, floor supervisors, machinists, receivers, checkers, packers, and cleaners. The factory manager oversaw the entire running of the garment factory. The production director planned and oversaw that production targets were met as aforementioned. The factory floor supervisors supervised all activities that occurred on the factory floor which included the machinists, checkers, and packers. The receivers received the deliveries of textiles that were cut according to a pattern that the machinists needed to sew and assemble to manufacture various items of clothing using high speed electrical sewing machines. The checkers inspected the completed garments to ensure that they were up to standard. The checkers removed loose threads and finished off the loose ends on the garments which were manually sewn by hand. The garments were then ironed in some cases using industrial irons and steamers. Lastly, the packers packaged the garments and prepared them to be sent to the client by typically neatly packaging the garments in plastic bags and packing them in boxes. Besides the factory managers the garment workers in this study consisted of a production director, machinists, checkers, receivers, and packers. Working Conditions Based on the accounts from the interviews with garment workers employed at various garment factories, the working conditions in the garment factories were investigated in terms of working hours, physical and environmental conditions, job security, unionisation, safety, and wages. In terms of the working hours, all the garment workers reported that they were required to work a total of eight hours a day. This included one hour for lunch. Most of the workers worked a total of six hours from the morning till lunchtime, they worked from 7:30am -1:30pm, took an hour lunch and then worked two hours in the afternoon, from 2:30pm- 4:30pm. The working hours were strictly controlled in the factories. At Factory D, I observed that the garment workers were only allowed to stop working and take their lunch when a loud bell rang in the factory at 1:00pm. When this occurred all the machinists and other garment workers stopped what they were working on and went on their lunchtime break. Samson, an employee at factory D, stated: “ya... this bell is for lunch time and then for home time” (Interview 11). 42 However, regardless of the eight-hour working day, some of the participants from both the formal and informal factories reported working more than eight hours a day. Three women in the study reported that it was a common occurrence to work more than eight hours a day, by either coming in earlier or leaving later in order to meet the production targets that were set for that day or week. This was done to ensure that all tasks were completed so delivery could take place on time. As one participant stated “I start working at 9 and then only leave at 5 or later depending on what I’m doing. Sometimes there are a lot of orders, so I have to wait for couriers and stuff” (Interview 1). Three of the garment workers in this study were only required to work five days a week whereas seven of garment workers were required to work on Saturdays as well. According to five of the participants, working on Saturdays was company policy; they worked every Saturday. Yet, two of the participants employed at an informal factory (Factory C), worked on some Saturdays only when there were production targets to be met. This was due to Factory C relying on contracts or tenders, “I don’t work on weekends, but sometimes when the work is too much then we come” (Interview 5). All participants that worked on Saturdays reported only working for five hours but this varied for the two workers employed at the informal factory as production targets varied every week. According to most women in the study the production targets were set by production directors. The production directors planned, coordinated, and implemented the production requirements based on the working hours, efficiency of the staff, number of factory workers and the number of pieces of clothing needed to be produced by a certain date. Once the production target for the day or week had been set the production director together with the supervisor monitored the clothing production processes and ensured that the staff met the set production targets through motivating them and through putting pressure on the garment factory workers. The garment factory workers were informed by their floor supervisors either on the day or a day before that they had to work later than their set times when they had not met their production targets for the week or as in the case of other factories the workers would be informed by their supervisors at the end of the working week that they had to work on the weekends to meet the production target. According to the garment workers employed at formal factories, they were often asked to work over official time. According to a production director employed at a formal factory “By law it’s supposed to be 8 hours, which is half past 7 to half past 4 and then Friday we start half past 7 to 2. But on my side, I’ll be here from after 6 and starting to work till half past 4 or 5 everyday” (Interview 9). 43 The worker unionisation, employment benefits, and job security status varied across the garment workers, but there were no notable differences between those employed at formal and informal factories based on interviews with garment factory workers and managers at the garment factories where the interviews took place. Yolandey, a manager at a formal sector factory (D), noted that the garment workers at the factory were not unionised, received no employee benefits but they were full-time permanent workers that on average earned weekly wages which varied according to skill from around R850 – R1300. Similarly, David, a manager at a formal Factory (E) stated that the workers were not unionised, received no employee benefits but were employed full time (Interview 9). Likewise, Tshepiso, a manager at an informal Factory (C), expressed that the garment workers were not unionised and had no job security as they were part-time workers hired on 3-month contracts as the factory and production was on a smaller scale that relied on the contract work which was not always available (Interview 3). The workers at Tshepiso’s factory earned on average R4000 a month and received no benefits besides a bonus in December, which only applied to employees if they were still employed at the factory during that time (Interview 3). Similarly, Stella, a worker at another informal factory (A) stated that some of the workers were part-time employees, were not unionised, and earned on average R5000 per month with no benefits at all (Interview 1). The global garment industry is typically associated with little to no employee benefits and suppressing worker unionisation. In Sri-Lankan EPZ and Mexican Maquiladoras, garment workers are denied access to worker unions as the absence of trade unions attracts more foreign investment (Milberg & Amengual, 2008; Shaw, 2007). In terms of safety at the workplace, all garment workers in the study expressed that they had never been injured on the job “No, I have never been hurt while working here” (Interview 8). Except for one respondent, Sarah, a machinist. Sarah said that she had previously been injured on the job when a needle had pierced through her hand while she was making a tunic using the industrial sewing machine (Interview 5). She explained that her needle injury was an extremely painful experience that led her to a lot of blood loss (Interview 5). She stated that when the injury occurred on the factory floor her other co-workers attempted to help her get the needle out of her hand and stop the bleeding, but she had to eventually leave work immediately and go to the clinic. Sarah stated that she went to the clinic with her supervisor. Once she was at the clinic, she got stitches which the company paid for, and she was given time off from work so her injury could heal (Interview 5). During the interview Sarah had shown me the scar that was left from her injury. 44 Some participants in this study made use of personal protective clothing and equipment such as aprons, overcoats, masks, gloves, and thimbles for hand sewing. However, the garment workers that did not have any personal protective clothing and equipment were at risk for dust, dye and other hazardous chemicals contacting their skin during cutting, sewing, and handling of textile waste. This predisposes garment workers to health risks and has been associated with an increased prevalence of eczema (Zungu & Gabe, 2011). Additionally, the lack of protective gloves and finger thimbles exposes workers to pricks and cuts as in the case of Sarah’s injury. Given that sewing and the use of needles and pins was a major activity the lack of thimbles and gloves to protect the hand and fingers also exposes garment workers to the risk of bloodborne infections such as HIV and Hepatitis B due to the needles drawing blood and the sharing of needles between workers (Ind & Jefferies, 1999; Zungu & Gabe, 2011). In terms of the general workplace conditions and physical and environmental conditions I observed that natural ventilation was inadequate; the factory environment was cramped and stuffy. This was due to only a few small sized windows and one door entryway that was kept closed in both the small scale one room garment factories (A and C). These factors prevented airflow in these small, congested spaces. Additionally, there were no fans nor air conditioning to create a circulation of air and to mitigate heat. These conditions at these informal CMTs appeared to be much like the many other informal garment factories that I observed in both high-rise buildings. Figure 3 High-rise building: Garment Factory (A) (Source: Google Maps 2022). 45 Ventilation has been a key healthy and safety concern in the garment industry worldwide. Inadequate Ventilation at garment factories was found to be an occupational health hazard in Asia (Padmini & Venmathi, 2012; Gupta et al, 2015), Latin America (Pérez Floriano & Pacheco, 2018) and Africa (Zungu & Gabe, 2011; Asare et al, 2019). The quality and safety of the working environment impacts both the productivity and health of the workers (Hossain et al, 2014). Poor working environments such as the inadequately ventilated and cramped factories in this study have proven to have had harmful effects on garment workers resulting in illness and life-threatening incidences. According to Hossain et al (2014) the lack of air flow and humidity due to the worker’s body temperature and the constant use of equipment such as sewing machines and ironing machines etc., traps heat. The trapped heat and the lack of air changes result in incidences of illness as headaches, respiratory problems, vomiting, fatigue, and fainting (Hossain et al, 2014). Additionally, the lack of adequate ventilation, cramped and overcrowded working environments that characterise garment factories is related to the occurrence of Tuberculosis among the workers worldwide. A study on the factors related with Tuberculosis amongst textile workers in Maseru, Lesotho indicated that there were incidences of TB in small-scale textile industries due to the workers coming into contact with dust and damp air due to the lack of adequate ventilation and overcrowding in the factories (Senekal- Ndebele, 2020). According to Senekal-Ndebele (2020), the high rates of the airborne disease, TB in the textile industries of Lesotho was found to be caused by the lack of adequate ventilation and overcrowding. The prevalence of TB amongst garment workers in developing countries was also found by others, see also (Al-Khal et al, 2005). Additionally, the lack of ventilation and the cramped and overcrowded working environment posed an added risk during the current Covid-19 pandemic. The participants that were employed at factories characterised by working environments that were poorly ventilated and cramped were at risk for contracting Covid-19 as in the case of Tuberculosis, Covid-19 is also an airborne disease. Moreover, the majority of the staff at both these factories were not wearing the mandatory face masks nor complying with social distancing measures to mitigate the spread of the virus. The three garment workers from these smaller informal factories expressed that though they were concerned about the dangers of their working environment in terms of the high possibility of contracting Covid-19, they were ultimately accustomed to their situation, “ya… you know I was scared before but now we are used to it” (Interview 5), “There’s nothing we can do, the space here is small and we have to work” (Interview 6). However, a majority of 46 the participants were not concerned about contracting Covid-19 “No... I’m feeling safe here… No Covid…it's fine” (Interview 12). Besides health risks, poor ventilation also possesses safety concerns in the garment industry. According to Hasan et al, (2017), in garment factories where fires incidents had occurred, heat and smoke were trapped inside these factories due to inadequate ventilation resulting in major deadly incidents in the garment industry. A fire occurred at a Bangladeshi garment factory (Tazreen Fashions) – which killed at least 1,134 people and injured more than 2,500 (Ashwin et al., 2020). In terms of workplace treatment, some of the garment workers reported that they received fair treatment from their superiors, however, in some cases, fair treatment was not consistent. All the garment workers in the study initially expressed that they were treated well by their supervisors/managers, however, some garment workers noted that when there was a lot of work to be done or when production targets needed to be met, the supervisors would push them to meet the targets by increasing their workloads, pressuring them to work at a faster pace and them yelling at them. I observed garment workers being yelled at by a factory supervisor during my visit to a large formal factory to conduct interviews. In this instance the floor supervisor of the factory was observed loudly shouting at employees which was a norm according to Rose and Patience, two participants from this factory: “Ya… but you know when we are busy and need to meet production the supervisors push us and shout at us to meet the production target so ya.” (Interview 7, Personal communication). Lauren also shed some light on the treatment of staff by supervisors in garment factories: The supervisors push us very hard to get the job done. Even me myself, I push the other workers and assist them to get it done so we can deliver on time. But also, as a supervisor myself I also make time to be friendly and crack jokes with the staff to lighten the mood but when it’s time for production it’s time for production, but some supervisors put too much pressure, gossip about the staff which makes it difficult to ask for production (Interview 9). Lauren, an experienced production director explained to me that in her role as a production director, she struck a balance between being strict with the garment factory workers when it came to meeting production targets and being friendly at other times to lighten the mood with the workers and to create a balanced relationship with them. Moreover, Lauren stated that in 47 her experience some supervisors would be too strict, constantly putting pressure on the workers and gossiping about the workers which in turn led the workers to resent the supervisors. Thus, when the supervisors would ask the workers for the production, they would be met with workers who purposely worked slower or made it difficult to get work done. Yelling at staff is a form of workplace misconduct. Moreover, according to Harlos et al (2000), the mistreatment of staff in the workplace that occurs between employees and authority figures such as yelling is a form of interactional injustice. Forms of interactional injustices are used to intimidate, instil fear, and induce control of employees which invoke negative emotional responses in employees (Harlos et al, 2000). Additionally, pressuring staff to meet production targets could be seen a form of workplace misconduct and a health and safety risk as injuries such as needle punctures on fingers are more likely to occur due to production pressure as “they attributed the prevalence of accidents to the pace of production, long hours of work and pressures to meet quotas” (Hale & Wills, 2011, p.1939). 4.2 Gendered Labour of contemporary garment factories located in Johannesburg. The gender composition of garment workers varied across different factories. According to the interviews with the managers of the factories and the garment workers in this study it was established that there were more men than women employed as garment factory workers. Garment factory workers include machinists, packers, checkers, receivers, and cleaners. Gender Composition of garment workers and Gender Discourses on Labour Out of the five garment factories only two of the factories were characterised by a gender composition that consisted of more women employed as garment workers than men. Whereas the other three factories had a majority of men that were employed as garment workers. Majority of the literature on global garment work indicates that garment factory work has been associated as ‘women’s work’ due to the gendered discourses of labour that infer gender-biased beliefs of labour for men and women (Hossain et al, 2013). These gender-biased beliefs include assumptions that men and women possess gendered characteristics suited for different types of labour. The gendered characteristics for women, perceived women to possess smaller hands, nimble fingers and to be more patient, docile, and sincere, making women ideal garment 48 workers as these characteristics are supposedly better suited for the intricate task of sewing (Elson & Pearson, 1981). Additionally, the literature of garment work in the global south indicates that a great share of the labour force is predominantly constituted by women; the ready-made garment industry in Bangladesh (Hossain et al, 2013), export-processing zones in Sri-Lanka (Hancock et al, 2015), maquiladoras in Mexico (Domínguez et al, 2010), the garment industry in Lesotho (Dyer, 2001), etc. Thus, the findings of more men employed at garment factories in Johannesburg differs from the norm. When asked why this was the case, Stella, an informal factory worker expressed that while women still worked as garment factory workers, it was men that predominantly made up the available labour supply of machinists thus more men than women were hired for these jobs: “The men are just the labour that’s available…they have the skills to sew. while they are women it is not like before where only women do the sewing.” (Interview 1). Moreover, she stated that this was especially the case for the smaller informal CMT factories in Johannesburg as migrant men from African countries such as Zimbabwe and Malawi tended to be employed in these factories more than women (Interview 1). In a different account Lauren stated, “Joburg side the males also, they do like to sew and work as a machinist” (Interview 9). Additionally, the two male participants in this study stated that they did not view garment work through a gendered labour perspective as they believed that garment work was both for men and women. Samson, who had learnt to sew in Malawi, stated that he believed garment work was not just for women: “No this work is not just for women. we men are doing it here” (Interview 12). Similarly, Dan shared the same opinion. Dan, a machinist, explained to me that he had learned how to sew in Malawi at the young age of 10 as he was interested in his grandfather’s job as a home-based machinist. Dan’s grandfather initially started teaching him how to hand stitch with a simple needle and thread and then gradually teaching him how to sew with an electrical sewing machine. Once Dan had learned the skills to be a machinist, he would assist his grandfather in his home-based small business making garments and tailoring clothing. Dan stated that though he was employed at a garment factory with only one machinist who was a woman, he believed that anyone could be machinists: Women, also they can sew, as long as they can concentrate on the work, and what they are doing, you can be a machinist. So as long as they are concentrating, anyone can be a machinist. Because there are many things that you have to do to be a machinist. You have 49 to listen to what the people say, and if someone shows you a pattern, then you have to do like that. So, if you can do that, you can be a machinist (Interview 12). According to the findings of Joynt & Webster (2016), garment workers employed at CMTs were found to have predominantly been men migrant workers from Malawi, Zimbabwe, Ghana, Botswana, and Mozambique. These garment workers are often more skilled than the local labour as they carry advanced skills and experience in sewing and embroidery that they acquired from their country of origin (Joynt & Webster, 2016), as in the case of both Dan and Samson. On the contrary, only two participants in this study held gender-biased beliefs on labour. These participants expressed that they believed that women were better suited as garment workers as women were inherently good at sewing. Sarah, a small informal factory machinist employed at a factory dominated by women garment workers explained to me that she had initially learnt to hand sew from her mother as a young girl. However, she had only learnt to sew on an industrial sewing machine later in her life. According to Sarah, she learnt the skills to be a machinist through learning from an older Chinese woman whom she worked for at her very first garment related job and she also learned through some self-teaching. Sarah stated that in her perspective and experience in the garment industry she felt that women were better at sewing and the making of garments than men were. She held the opinion that women could sew better and work quicker: “you can see that I have seen that only ladies are special for that sewing, women are just working better and quickly” (Interview 4). Moreover, she stated that when it came to work ethic in the factory, men had a good work ethic and knew how to get the job done yet they did not know how to work neatly nor sew well “but males you can see that there’s someone who knows how to work so nice but not clean or sew” (Interview 4). Similarly, this view was shared by Lydia who was also employed at a garment factory dominated by women garment workers: “The ladies here are sewing better than the men, but the men work nice.” (Interview 10). When asked what she meant by this Lydia could not explain further. Gender and Workplace Relations In terms of the factory ownership, four out of the five factories where the participants were employed were owned by men, except for one of the informal factories that was fully women owned. All the factory owners were found to be South African nationals of various races, consisting of one White owner, two Black owners and two Indian owners. The supervisors at 50 the factories were a mix of both males and females with no particular gender to be found commonly occurring in that role. In relation to gender and workplace treatment, the garment workers in this study reported that the men and women garment workers were treated equally by the supervisors regardless of the gender of their supervisors, with the exception of Stella who specifically mentioned that she and her colleagues were treated well because of the gender of the owners: “You see one thing about the company is that it is women-owned so my bosses treat me very well, like my own sisters and they do treat us all the same.” (Interview 1). The factory owners and supervisors in this study expressed that gender was not a factor they considered during the hiring process of garment workers. Rather, it was whether the candidate met the skill and experience requirements for a machinist or garment factory worker. Yolandey, noted that the machinists would often have to demonstrate that they could operate a sewing machine during the hiring process but the general garment workers such as the checkers, packers and receivers were hired based on their CV as their roles were lower-skilled and they usually received training prior to them starting to work. Tyler, a formal factory owner, mentioned that his factory had 70% of male garment workers and only 30% of female garment workers (Interview 2). Moreover, Tyler st