Africanity and Orality in the Films/Videos of Women Filmmakers of the African Diaspora

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dc.contributor.author Ebrahim, Haseenah
dc.date.accessioned 2014-09-13T09:56:54Z
dc.date.available 2014-09-13T09:56:54Z
dc.date.issued 1998
dc.identifier.uri http://hdl.handle.net/10539/15538
dc.description.abstract In this essay, I consider the role of African cultural heritage and of oral tradition in selected films/videos by women filmmakers of the African Diaspora. for practical purposes, I limit the scope of my analysis to the works of a handful of filmmakers in the United States and the Caribbean: Julie Dash (USA), Euzhan Palcy (Martinique/France), Zeinabu irene Davis (USA), and Gloria Rolando (Cuba). en_ZA
dc.language.iso en_US en_ZA
dc.publisher Deep Focus: A Film Quarterly en_ZA
dc.subject Africanity en_ZA
dc.subject orality en_ZA
dc.subject black women filmmakers en_ZA
dc.subject African diaspora en_ZA
dc.subject film en_ZA
dc.subject cinema en_ZA
dc.subject Julie Dash en_ZA
dc.subject Euzhan Palcy en_ZA
dc.subject Zeinabu irene Davis en_ZA
dc.subject Gloria Rolando en_ZA
dc.subject Mother of the River en_ZA
dc.subject Daughters of the Dust en_ZA
dc.subject Sugar Cane Alley en_ZA
dc.subject Oggun en_ZA
dc.title Africanity and Orality in the Films/Videos of Women Filmmakers of the African Diaspora en_ZA
dc.type Article en_ZA


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