Architecture in Modern Painting. A Study in Absorption and Reinterpretation

DSpace/Manakin Repository

Show simple item record

dc.contributor.author Martienssen, Rex D
dc.date.accessioned 2009-11-23T11:38:37Z
dc.date.available 2009-11-23T11:38:37Z
dc.date.issued 1939-03
dc.identifier.citation SA Architectural Record vol 24 no 3 March 1939 pg 76-91 en_US
dc.identifier.uri http://hdl.handle.net/10539/7461
dc.description.abstract 'Cezanne taught the architect the laws which had been forgotton. He showed that surface was significant in its definition of volume, and that the mutilated and perforated "walls" which had come to be accepted by architects could enclose in only an incidental and imperfect manner.' en_US
dc.language.iso en en_US
dc.publisher Transvaal, Natal and Orange Free State Provincial Institutes of South African Architects and the Chapter of South African Quantity Surveyors en_US
dc.subject Martienssen, Rex D en_US
dc.subject Cezanne en_US
dc.subject Cubism en_US
dc.subject Fernand Leger en_US
dc.title Architecture in Modern Painting. A Study in Absorption and Reinterpretation en_US
dc.type Article en_US


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search WIReDSpace


Advanced Search

Browse

My Account

Statistics